http://www.balletmemphis.orgBallet Memphis RSS News Roomhttp://www.balletmemphis.org/news/news_detail.php?news_id=50If 2007-10-04 7:44:13http://www.balletmemphis.org/news/news_detail.php?news_id=51 Shop! Till You Drop! Saturday, October 13th Make a $5 donation and save 20% or 10% all day! Plusreceive$10 off* a single $20 purchase with you shopping pass Passes are available exclusively through Ballet Memphis, stop by and pick yours today! Call 901.737.7322 for details 2007-10-04 8:16:28http://www.balletmemphis.org/news/news_detail.php?news_id=52The splendor of A Midsummer Night's Dream-where cases of mistaken identities and enchanted forest fairies weave a glorious tale-is being presented by Ballet Memphis at The Orpheum, October 27 and 28. In this stunning work, Ballet Memphis sets to motion Mark Godden's deeply resonant yet classically contemporary choreography, combined with one of Shakespeare's most exuberant works. The performance comes alive as we eventually discover that love is all around-in the midst of a forest, in the confusion of romantic entanglements, in the joyful beginnings of marriage. And for the first time, two Memphis performing arts organizations are delivering the same famous literary work in two outstanding, yet radically different interpretations, as Theatre Memphis brings their version of A Midsummer Night's Dream to their stage October 12-28. Tickets for the Theatre Memphis performances can be purchased through theatrememphis.org or by calling 682-8323. At each Theatre Memphis performance, you'll receive a card good for $10 off your Ballet Memphis ticket when purchased through our box office. You will also receive a card at our Orpheum performances good for $5 off any Theatre Memphis adult ticket. You'll also notice around town that all of the performance materials for both shows features a callout to the other organization's show dates. So support your local arts community; see A Midsummer Night's Dream both at Theatre Memphis and Ballet Memphis; and then impress your friends and family with your intelligent comparison of Shakespeare's work brought to life! 2007-10-10 19:46:00http://www.balletmemphis.org/news/news_detail.php?news_id=53Choreographer Mark Godden has conceived his third original work for Ballet Memphis with this season's main stage opener, A Midsummer Night's Dream. He choreographed and premiered Carmina Burana for Ballet Memphis in 2002, and Two Jubilees in 2006. Once again, he brings his singular, deeply rich perspective and interpretation to this much beloved Shakespeare play, and the rich inspiring music of Felix Mendelssohn. "Shakespeare is playing with language all the time, which led to my playing with it here, leading to all kinds of hilarity, but to further the plot as well," comments Godden. "There are many poetic diversions in the choreography, just like in the poetry of the play. Shakespeare's words are a cluster of profound ideas and images." In the ballet, Mark takes the flower as the object which provides the device over which the Fairy Queen and King, Titania and Oberon, quarrel. He has Bottom, the player who becomes a Donkey, really act like an ass, and therefore become an ass, as he (Bottom) destroys the flower. It is Titania's light and life-giving force which rejuvenates the flower. There is also a character, the Writer, who Mark introduces as the playwright, instead of the rustic, drunk peasant players who are traditionally in the work. "I wanted to simplify the numbers of relationships so I could explore the relationships more fully." The ballet is full of visually interesting props, a flying flower, and rich, unusual sets and costumes. Dorothy Gunther Pugh, founder and artistic director for Ballet Memphis, added, "The work is neo-classical, pushing the ballet dancers into a realm of magic with Mark's expanded, fluid, intricate vocabulary. It is, once again, a pleasure to work with a choreographer who is thinking deeply about what one of the greatest writers of the English language is saying. Mark never makes lazy assumptions. He's way too smart for that, and it's a compliment to our dancers and to our audience. He provides challenges to all of us, even as we are laughing uproariously and being delighted with all that is unfolding before us." The cast is being lead by Crystal Brothers as Titania, Travis Bradley as Oberon and an astounding Kendall Britt in the role of Puck. Rounding out the main characters are Rafael Ferreras as Lysander, Julie Niekrasz as Hermia, Stephanie Hom as Helena, Jesus Pacheco as Demetrius and Steven McMahon as Bottom. Also on the program is George Balanchine's Allegro Brillante, to the music of Peter Ilyitch Tschaikovsky. Tickets are available at the Orpheum Theatre, balletmemphis.org or by calling the Ballet Memphis box office at 737-7322. 2007-10-16 20:06:10http://www.balletmemphis.org/news/news_detail.php?news_id=54Ballet Memphis is pleased to introduce a new way to bring to light the spirit of Memphis dance. Aptly named ELEVATION!, this special evening will showcase different forms of dance and, more importantly, celebrate the Memphis-area young dancers who work so hard to bring these forms to life. ELEVATION! will take place Friday, October 26 at 8 p.m. at the Orpheum Theatre. General admission tickets are $25 and may be purchased only through Ballet Memphis at 737.7322. "We came up with ELEVATION! because we know that so many wonderful dancers and dance companies here in Memphis do not have access to the large professional stages, such as the Orpheum Theatre, nor to working with an acclaimed professional company" said Dorothy Gunther Pugh, founder and artistic director of Ballet Memphis. "ELEVATION! is a great way to give these deserving and talented dancers access to such a well known venue, and to expose the wider community to the depth of talent we have in Memphis." ELEVATION! will take place the evening before Ballet Memphis begins its two-show run of "A Midsummer Night's Dream," also at the Orpheum: Saturday, October 27th at 8 p.m. and Sunday, October 28th at 2 p.m. All young dancers will receive complimentary tickets to either performance of "Midsummer." "When you purchase a ticket to ELEVATION! through the Ballet Memphis box office, you'll also receive a $10 discount off of a ticket to either Saturday or Sunday's performance of 'Midsummer'," said Pugh. After the local companies perform, the Ballet Memphis professional company will perform George Balanchine's "Allegro Brillante" to close the evening. Companies scheduled to perform at ELEVATION! include: > Ballet Memphis Junior Company Janet Parke, School Principal "What Can I Tell My Bones?" > Ballet on Wheels, Theatre of Dance Chauniece Conner, Artistic Director and Choreographer "The Chorale" > Classical Ballet Memphis Pat Gillespie, Artistic Director "Infinity" > Dance Works Inc. Karen Zissoff, Artistic Director To be announced > Memphis Grizzlies Kathalene M. Taylor, Artistic Director and Choreographer "Our Stylz" > River City Dance Company Tevita L. Williams-Dumas, Artistic Director and Choreographer "In His Shoes...A Tribute to Alvin Ailey" > New Ballet Ensemble Katie Smythe, Artistic Director Kevin Guy (Ballet Tech NYC), Choreographer "People Get Ready" In its 21st season, Ballet Memphis serves as a creative resource to the nation as a maker and interpreter of the South's cultural legacy through its innovative neoclassical and contemporary repertoire, as well as production and training of the highest caliber. Founded by Dorothy Gunther Pugh in 1986, Ballet Memphis employs 16 professional dancers with a $3.2 million operating budget and has performed around the world. The combined programs of Ballet Memphis-dance company, ballet school, educational enrichment and Pilates Centre-serve 75,000 people each year. 2007-10-26 6:49:36http://www.balletmemphis.org/news/news_detail.php?news_id=55Take fabulous food, pair it with incredible dancing, add a great cause and stir: It's time for Ballet Memphis' third annual "Connections: Food" event on Saturday, December 1st at 7 p.m. "Connections: Food" will take place at BRIDGES, Inc., 477 N. Fifth Street. Tickets are $250 for single, $450 per couple and a table of eight is $1,750. All proceeds benefit Ballet Memphis and its programs. At "Connections: Food," each chef's course will be paired with an original interpretive performance by Ballet Memphis, relating to the chosen cuisine. FIRST COURSE: Appetizer Menu: Grilled lamb rib confit, spicy rosemary pepper jelly over creamy Delta Grind grits Chef: John Currence, City Grocery, Oxford, Miss. Performance: Lambs Go to Heaven Karl Condon, choreographer (Karl is the associate artistic director of Ballet Memphis.) Cast: Hideko Karasawa, Nicole Corea, Jonathan Powell, Rafael Ferreras, Michael Crawford, Caitlin Ryland SECOND COURSE: Soup Menu: Lemongrass coconut consomme with seared scallop, crispy Serrano ham, baby corn, kaffir lime and Thai chili Chef: "Lena" Thirawadee Jones, Automatic Slim's, Memphis Performance: Dinner Guests Jane Hope Rehm, choreographer (Jane is a dancer with Ballet Memphis.) Cast: Stephanie Mei Hom, Steven McMahon, Kendall Britt Jr., Rachel Shumake ENTREE Menu: Heritage Farms pork porterhouse, Membrillo-glazed over Granny Smith apple-celery gelee, creamed parsnips, crispy apple garnish with fennel-coriander nut dust Chef: Karen Blockman Carrier, The Beauty Shop, Do Sushi, Automatic Slim's Memphis and New York, Another Roadside Attraction Catering, The Mollie Fontaine Lounge Performance: Pork Songs Trey McIntyre, choreographer (Trey is a world-renowned choreographer who is in his sixth season as Ballet Memphis' choreographer-in-residence.) Cast: Travis Bradley, Kendall Britt Jr., Crystal Brothers, Julie Niekrasz, Virginia Pilgrim, Jonathan Powell, Jane Hope Rehm, Scott Spivey DESSERT Menu: Ginger Gala apple pie with Southern Comfort Caramel Chef: Martha Foose, Viking Cooking School, Mockingbird Bakery, Greenwood, Miss. Performance: Vivaldi Sweets Travis Bradley, choreographer (Travis is a dancer with Ballet Memphis.) Cast: Crystal Brothers, Nicole Corea, Hideko Karasawa, Steven McMahon, Julie Niekrasz, Jesus Pacheco, Virginia Pilgrim, Rachel Shumake, Scott Spivey For more information or to purchase tickets, contact Ballet Memphis at 737-7322 or balletmemphis.org 2007-11-20 5:07:46http://www.balletmemphis.org/news/news_detail.php?news_id=56AbunDANCE is a celebration of something larger than ourselves and how we manifest that hope and belief. Based in four great faith traditions-Christianity, Judaism, Islam and Buddhism-AbunDANCE showcases that we, as human beings, do not need to think, look, worship,or dance and sing alike.But we do need to be our best possible selves, find our own deep truth and respect others as theysearchfortheirs.AbunDANCE brings together the works of four world-renowned choreographers, each working within the traditions in which they were raised.>Trey McIntyre's "Grace" is set to a live gospel choir and was created specifically for Ballet Memphis five years ago. This will be Ballet Memphis' third performanceofthe piece. > French/Tunisian choreographer Abou Lagraa's untitled piece is comprised of music from Hadra from Fadhel Jaziri.Songs include "En joiela nuit," "L'Artisan" and "Nativite."> Canadian Julia Adam's untitled work will be set to ancient Jewish choral music. > Korean-American dancer and choreographer Dana Tai Soon Burgess's untitled work is based in the spirituality of Buddhism and is set to various selections from composer Lou Harrison's La Koro Sutro. In its 21st season, Ballet Memphis serves as a creative resource to the nation as a maker and interpreter of the South's cultural legacy through its innovative neoclassical and contemporary repertoire, as well as production and training of the highest caliber. Founded by Dorothy Gunther Pugh in 1986, Ballet Memphis employs 16 professional dancers with a $3.2 million operating budget and has performed around the world.The combined programs of Ballet Memphis-dance company, ballet school, educational enrichment and Pilates Centre-serve 75,000 people each year.2008-01-02 8:49:51http://www.balletmemphis.org/news/news_detail.php?news_id=57New mat session starts January 7 and teacher certification starts February 1. The next 10-week winter mat session runs January 7 through March 15. The cost for one session per week (10 classes) is $160, or two sessions per week (20 classes) is $255. We also are excited to announce our next teacher certification course begins the first weekend of February with a mat teacher-certification course February 1-3. Become a STOTT-certified Pilates instructor with Ballet Memphis for only $950. This includes six months of free equipment classes at the Pilates Centre to allow you to complete your observation and practical hours, which help prepare for the certification exam to be taken within a six-month period after the course. Click on Pilates Classes under "About Ballet Memphis" to learn more or call Tamara Hoffman at Ballet Memphis, 901-737-7322.2008-01-02 9:02:28http://www.balletmemphis.org/news/news_detail.php?news_id=58Buy it nearby or brown bag it and come have lunch with some true professionals downtown this Thursday. Ballet Memphis is hosting an open rehearsal of their upcoming world premiere of AbunDANCE, and you are invited for this "free taste." We guarantee you'll want to join us for more at The Orpheum, February 9th and 10th. Ballet Memphis would like to thank the Center City Commission and the Garland Companies Realty for making this possible. WHEN: Thursday, January 31, 11:30a-1p WHERE: 94 South Main Street, between Union & Gayoso WHAT: Open Rehearsal of AbunDANCE 2008-01-28 13:18:16http://www.balletmemphis.org/news/news_detail.php?news_id=59 Ballet Memphis is pleased to announce an innovative partnership with H&R Block that will help raise funds to support our education and outreach programs by doing something you have to do anyway. It's easy and convenient for everyone! Just take your taxes and the attached referral form to any H&R Block and Ballet Memphis receives a $25 donation. Only new clients to H&R Block are eligible for this program which runs from now through November 1, 2008. And there's no limit to the number of referral donations Ballet Memphis can receive, so be sure to tell your friends, too! H_R_Block_Referral.pdf 2008-03-03 9:05:35http://www.balletmemphis.org/news/news_detail.php?news_id=60An exciting range of works-including a collaboration with Ballet Memphis's Associate Artistic Director, Karl Condon and the STAX choir-will offer audiences a glimpse of up-and-coming talent led by Junior Company Director, Janet Parke. Performances will be held Friday, April 18, at 7:30 p.m., and Saturday, April 19, at 2 p.m. Tickets are $10 for adults and $5 for children and students with an ID. The show is open to the public. Other collaborative highlights debuting at the Spring Show include: > a piece from Jane Rehm, a Ballet Memphis dancer, joining a live performance of Suzuki string students > a work from Steven McMahon, a Ballet Memphis dancer, working with local elementary school art students, incorporating actual paintings by dancers onstage > a performance by Rachel Shumake, a Ballet Memphis dancer and former Ballet Memphis Junior Company dancer, incorporating spoken answers about growing up from students at Grahamwood Elementary and White Station High School students > a piece from Sarah Schneider, Ballet Memphis school instructor and Junior Company ballet mistress, joining a live performance from Paul Davis and the Rhodes College String Ensemble > a work from Brittany Church, Junior Company member and Harding Academy senior, incorporating Harding Academy advanced art students Following the two Junior Company performances will be Ballet Memphis's dazzling and family-friendly show Under the Sea-a pairing of The Little Mermaid and Barramundi-Saturday, April 19, at 7 p.m. and Sunday, April 20, at 2 p.m. The Junior Company is the nonprofessional wing of Ballet Memphis. Its goal is to provide young, aspiring ballet dancers from West Tennessee, Arkansas and Mississippi with the artistic and technical challenges needed to reach their highest potential, and for those who are capable, to prepare them for a career in dance. For tickets to the Spring Show call 901.737.7322.2008-03-05 17:49:54http://www.balletmemphis.org/news/news_detail.php?news_id=61 Ballet Memphis is holding its second open rehearsal this Thursday, March 27, in the heart of downtown and smack dab in the middle of the lunch crowd. Thanks to the Center City Commission and Belz Enterprises, Ballet Memphis is able to bring this free taste of the Memphis arts scene to downtown businesses and residents at a time and place that is easily accessible for everyone. The Belz space at 100 Peabody Place, across from the Majestic Grille and facing Main Street, sits right on the trolley line, and gives Ballet Memphis a chance to introduce their nationally-acclaimed dancers to people who may not have seen a performance before. These come-and-go rehearsals are not only free to the public, but the public is encouraged to brown bag it, grab a chair and watch the dancers and choreographers at their gritty best. Rehearsal time will be from 11:30 a.m. to 1:30 p.m. The company is following their open rehearsal with two, free, mini performances during the South Main Trolley Art Tour on Friday, March 28. From 6:00 p.m. to 8:00 p.m., company dancers will be performing pieces from some of their favorite past performances at two South Main galleries, Art Village Gallery, 410 South Main, and the Jay Etkin Gallery, 409 South Main. "Taking it to the streets" is an important part of the mission of Ballet Memphis to keep the arts accessible for all, while educating Memphians on the wealth of talent that Memphis has right here at home. And holding these free viewings downtown is part of their commitment to downtown where most of their main stage performances are held.2008-03-26 12:33:50http://www.balletmemphis.org/news/news_detail.php?news_id=62From the amazing scenery that takes the audience to a new place under the shimmering, fluid sea, to the amazing dancers that take the audience through an experience like none other, Under the Sea will definitely make for a wonderful family adventure. Under the Sea is actually the pairing of two short ballets, The Little Mermaid and Barramundi. In the Litte Mermaid, every child and child at heart will delight in the costumes, the movement and the music that reminds us of the fairytale for which the ballet is named. In Barramundi, the audience will find themselves following schools of fabulous fish around the stage while the dancers cleverly evolve just like the barramundi fish in real life. "It's not only important to expose our children to various art forms, it's crucial to their development," said Dorothy Gunther Pugh, Founder and Artistic Director. "That's why we look each season to bring shows that both challenge us to see things in a different light, and that bring us together as families and as a community." To ensure that this mission is met, Ballet Memphis is offering children under 12 half-priced tickets. Call the Ballet Memphis box office at 737-7322 to order yours today. 2008-04-10 7:40:19http://www.balletmemphis.org/news/news_detail.php?news_id=63This Friday, May 9th, Connections: Fashion combines the talents of one up-and-coming fashion designer, three innovative choreographers and a company of professional dancers for one event like no other. The Memphis Zoo becomes the ultimate catwalk as Ballet Memphis puts its unique spin on the fashion arts in this collaborative event. Connections: Fashion features three short, original ballets choreographed by company members Steven McMahon, Jesus Pacheco and Jane Rehm. The first piece, "Andante," was choreographed by McMahon and is danced to music written and performed by LCD Soundsystem. "Tied," from Jane Rehm, follows with music by the Kinks. The final piece of the evening, "Amor En Perlas," (Love in Pearls) uses a variety of Latin music from artists Yerba Buena, Bebo and Cigala and Sergio Mendez. Each ballet showcases how fashion, like dance, works to accentuate the best in human form, movement and expression. Memphis-born and New York-based fashion designer Ellis Dixon worked closely with the choreographers and with Bruce Bui, Ballet Memphis' wardrobe manager and resident costume designer, in what she termed "a creative meeting of the minds." "Where Ballet Memphis is concerned, there's a beautiful balance between tradition and novelty," said Dixon. "My job becomes easier when those on whom I am relying are so on top of their game." Immediately after the show, the staging area will be transformed into a DJ-infused disco for the audience to enjoy "Dancing with the Dancers." Ellis Dixon's designs will also be available in a trunk show setting. The event is expected to end at 11 p.m. Connections: Fashion is the second "Connections" event and the final show for Ballet Memphis' 2007-2008 season. Ticket are $35 for general admission and $75 for reserved seating. Hors d'oeuvres included. Cash bar. Rain date is Saturday, May 10, 8pm at Ballet Memphis' studios at 7950 Trinity at Germantown Parkway. 2008-05-05 12:08:08http://www.balletmemphis.org/news/news_detail.php?news_id=64InteriorWorks, the annual dancer-produced Ballet Memphis post-season performance, celebrates its ninth year with nine choreographers and a showcase of the company's deep and diverse talent pool. Each of the nine original short pieces will be shown at three different performances, running Thursday, May 29th through Saturday, May 31st. Each performance will start at 7:30 p.m. and will take place in Studio A of Ballet Memphis' studios at 7950 Trinity Road. InteriorWorks 9 is a benefit for Ballet Memphis'Artist Resource Fund, created to help provide a financial cushion to Ballet Memphis company members in transition. A minimum donation of $5.00 per person is suggested in lieu of tickets. The setting is casual and seating is limited. InteriorWorks 9 is co-directed by company members Steven McMahon and Jane Rehm who each have a piece in the showcase. The other seven choreographers are dancers Travis Bradley, Nicole Corea, Kate Feuer, Julie Niekrasz, Caitlin Ryland and Scott Spivey, as well as Ballet Memphis' associate artistic director Karl Condon. "InteriorWorks is a great opportunity for our dancers to work in a way that we may not usually," said Rehm. "It's a chance for us to try new things and to really explore the talent pool in our company. "Even though InteriorWorks traditionally takes place the week after our company contracts end, we always invite the artistic staff to participate and they are always supportive." The evening is also a fun, casual way for patrons and newcomers alike to meet the dancers, up close and personal. "Seating is stadium style, right on the floor where the dancers perform, so you really see how hard everyone is working and feel a part of the action," said McMahon. There will also be food and drinks to round out the festive atmosphere, provided by Karen Blockman Carrier of Another Roadside Attraction and other local chefs. 2008-05-20 7:35:05http://www.balletmemphis.org/news/news_detail.php?news_id=65In Ballet Memphis' mission to serve the community, the Pilates Centre of Ballet Memphis takes center stage. The Pilates Centre is the only STOTT-certified teaching and instructor training center in Memphis, and strives to help Memphians to strengthen the core, improve the flexibility and relax the mind. And now you can do it in the newest, state-of-the-art studio facility in East Memphis at 1789 Kirby Parkway, Suite 8, behind Shara's Paparie in Orleans Square. The Grand Opening party is set for May 31, from 2-4 p.m. On hand will be six of the STOTT-certified instructors and Ballet Memphis dancers to illustrate Pilates techniques and demonstrate moves on all the new equipment. There will be food, drink and lots of information and discounts to get you well on your way to an invigorated new you. 2008-2009 Ballet Memphis season tickets will also be available at a discounted rate for anyone signing up for a new Pilates class. Considered the gold standard of Pilates, STOTT Pilates will challenge and invigorate you, body and soul, no matter your beginning level. The new Kirby location will complement Ballet Memphis' other Pilates locations, the Hope and Healing Center in midtown and the Ballet Memphis Studios in Cordova. 2008-05-20 7:46:23http://www.balletmemphis.org/news/news_detail.php?news_id=67Nationally acclaimed Ballet Memphis, under the direction of Dorothy Gunther Pugh, is pleased to announce its 22nd season, opening in September 2008. Known for its innovative and original repertory as well as its own interpretations of the classics, Ballet Memphis offers seven unique events this coming season. Momentum X September 5-6, 2008 Cadre Building Kick perceptions to the curb with this 10th installment of the series that showcases the hottest new choreographers. See things in a new perspective from all around the venue, as our dancers explore our world with original and emotionally powerful work. Connections: Food October 18, 2008 Bridges, Inc. Join us for our annual fundraiser where more than the perfect wine is paired with your meal. Five courses from renowned regional chefs are matched with fresh choreography and inventive interpretations to make an evening of edible delicacies and delectable dance. Firebird November 1-2, 2008 Orpheum Theatre Enter the realm of the dazzling Firebird who holds the key to one prince's happiness. This new interpretation by world-renowned choreographer Mark Godden is paired with Stravinsky's evocative score for a magical event. Then, come with us as we follow a whimsical parade of the animal kingdom as seen through the innocence of childhood with Carnival of the Animals, choreographed by our own Steven McMahon to the classic Saint-Saens score. Nutcracker December 5-7, 2008 Orpheum Theatre We're adding new surprises to our 20th anniversary interpretation of the perennial family favorite. Imagine a magical land filled with mice, glistening snowflakes, dancing sweets and of course, all of your favorite professional, junior company and Ballet Memphis School dancers. Abundance: Art in Motion February 14-15, 2009 Orpheum Theatre Join four renowned choreographers and the nationally acclaimed Ballet Memphis company as they bring to life, through dance, works from the Memphis Brooks Museum of Art, the Dixon Gallery & Gardens, the PowerHouse Gallery and the National Ornamental Metal Museum. Connections: Puppets March 21-22, 2009 Clark Opera Memphis Center You hold the strings to the imagination as classic and contemporary dance pair with life-sized marionettes, puppets and dolls for works evoking love and contentment. Ballet Memphis is honored to have world-renowned modern dancer and choreographer Jane Comfort working with us on this "Connections" showcase. Cinderella April 18-19, 2009 Orpheum Theatre There's more to this tale than sewing mice and magical pumpkins. Prokofiev's famous score is matched by Steven McMahon's rich choreography for a new take on the story of a shy woman who is transformed into a beautiful princess. Can true love be found before the clock strikes midnight? Season Tickets Season tickets are currently on sale. Full-season ticket subscribers who order by August 1st will enjoy no per-show price increase over last season as well as first priority for seating, free ticket exchange for alternate performances, free parking and a 20 percent discount on any additional tickets. Individual season ticket packages start at $80 for six shows (Connections: Food, as a fundraiser, is not included in season ticket packages.) Three-show Family Packs start at $40 per individual package, and the new Allegro Pack is the perfect way to jump into a love of ballet or give a taste to someone else. Choose six tickets from any combination of our mainstage Orpheum Shows...a tremendous value at only $250 with best available seating for each show. Season tickets may be purchased through Ballet Memphis at 901/737-7322. 2008-06-05 18:35:05http://www.balletmemphis.org/news/news_detail.php?news_id=66Dear Ballet Memphis Friends, This past weekend we closed our official season with a very vital program of our Interiorworks performances, produced and choreographed by our professional dancers, benefiting the Dancers' Resource Fund. Over the years I have been able to see a great deal of dance, and talk to a number of people in the field. Many of us feel that there is a serious need for good, thoughtful, well-crafted, relevant and meaningful choreography. This year in particular, as a judge at a choreography competition, and having just returned from the dance festival in St. Louis where Ballet Memphis performed, and as I am looking over choreographic dvd's from around the world, I feel the need particularly strongly. And, I can't help but remark on how our years of guiding choreographic creation seem to be bearing fruit. All the Interiorworks programs were well-done, and well conceived, and it goes without saying that they were well-danced. Excellently danced. And, if you were fortunate enough to see us perform Connections: Fashion at the ZooMay 9th, you know that you saw three works of strength, vitality, and unfettered joy, all choreographed by our dancers. In St. Louis, we were on the final evening of a 3 day long dance festival, and were part of the powerhouse show. We performed In Dreams, by Trey McIntyre, to the music of Roy Orbison. The dancers were impeccable, the choreography is excellent, in my opinion the best I saw while I was there, and the audience exploded with bravos at our closing. Another interesting part of the festival was being there with a 4 year old company from New York, funded by a WalMart heiress. What does this mean? Well, it was a company that could afford to bring 30 of its dancers, (we brought 5). It is a company that gives its dancers 52 weeks of work, as opposed to ours at 38 weeks. It is a company that has bought a theatre and a building in New York. If Ballet Memphis is to be able to continue to demand an excellent standard in all our work and continue to make a significant contribution to all the lives it touches, we will need to depend on all of our efforts and contributions to make it happen. We live in a city where people understand giving to their churches and their schools, yet too often view aspirational work as some sort of frivolity. In the coming weeks you should be receiving our season brochure for the new season. If you become a season ticket holder or a donor at a certain level of giving, you will receive our beautiful calendar after that. We hope to be able to continue to give people deep, resonant, and transformative experiences, whether they watch us perform, study within our school or Pilates programs, or are touched by the joy of celebration we hope to have together at special events. We look forward to another remarkable season of remarkable offerings, one you have to see to believe! Have a good summer, Dorothy Gunther Pugh Founding Artistic Director and CEO Ballet Memphis 2008-06-05 7:23:05http://www.balletmemphis.org/news/news_detail.php?news_id=68With the announcement of the 22nd season, and the Commercial Appeal's M Section cover story on July 6, season tickets sales are heating up. Brochures outlining the season's line-up-which includes six main stage shows this year instead of five, plus two special events-were mailed in June. If you didn't receive one and would like to, please contact Cathy Allen at Ballet Memphis, 737-7322. Even with the increased number of performances being offered this season, Ballet Memphis is helping people keep professional arts in their budgets by offering season tickets at the same per-show price as last season. "We really wanted people to come out and see what an outstanding cadre of professional dancers live and work right here in their city," said Artistic Director Dorothy Gunther Pugh. "It's so important to create meaningful work that really resonates with people, but it's also important to give them ample ways to see it." Hence holding prices steady, as well as adding two new, intimate venues to the season-the Cadre Building downtown and the Clark Memphis Opera Center in East Memphis. As an added benefit, anyone purchasing Season Tickets for the 2008-2009 season will have first priority for season tickets and select seating in Ballet Memphis's new midtown home at Playhouse on the Square the following season. For those not as familiar with professional dance, or who haven't experienced a Ballet Memphis performance before, the Company is offering two special packages in addition to season tickets. Family Packs will include tickets to each of the three, family-friendly "storybook" ballets being offered this season-The Firebird, Nutcracker and Cinderella. Each of these shows takes place at The Orpheum. Prices start at $40 for all three shows and go up to $120 for premier seating. Allegro Packs offer complete flexibility as well as the ability to sample a variety of shows from the modern to the classic, give a gift to someone else, or invite a first-time ballet goer. This pack includes 6 tickets for just $250, best seats available at time of purchase. The user can attend any of the Orpheum performances-The Firebird, Nutcracker, Abundance: Art in Motion or Cinderella-with any combination of tickets. That means 2 tickets to 3 shows, 6 tickets to one show, or anywhere in between. 2008-07-10 8:31:11http://www.balletmemphis.org/news/news_detail.php?news_id=69 Momentum X showcases the work of three choreographers: Ballet Memphis company members Nicole Corea and Julie Marie Niekrasz and California-based Gabriel Masson. Each will debut a piece at Momentum X. ěWe love performing in different venues around the city,î said founder and artistic director Dorothy Gunther Pugh. ěRelaxed spaces like the Cadre Building create a different atmosphere for our work and really help to connect the audience to the dancers.î In keeping with the intimate nature of the Cadre Building as a performance space, Momentum X will be performed on two connected stages, with the audience seated around them. Momentum X details: Dates: Friday, Sept. 5th and Saturday, Sept. 6th Times: Friday, Sept. 5th, 8 p.m; Saturday, Sept. 6th, 2 p.m. & 8 p.m. Ticket prices: $50 & $25 Tickets and more information: 901/737-7322 or www.balletmemphis.org Nicole Corea has been with Ballet Memphis since 2007. A native of New York, she is a two-time Princess Grace Award nominee who trained at the Julliard School and at Elisa Monte Dance and Ballet Hispanico. Julie Niekrasz has been with Ballet Memphis since 2004. From outside of Chicago, Niekrasz trained in the Balanchine technique at the School of Ballet Chicago and has danced with Milwaukee Ballet and Milwaukee Ballet II. Gabriel Masson is a native Louisianan who discovered dance while a college undergrad. Heís danced for Roz Newman, Lucinda Childs and Doug Varone. His New York-based company, Gabriel Masson Dance, performed around the country to great acclaim for five years before having to close post-9/11. He now lives in San Diego. Call the Box Office 737-7322 for tickets 2008-08-11 13:40:46http://www.balletmemphis.org/news/news_detail.php?news_id=70 With all the advanced press and buzz about the season opener this weekend and Gabe Masson's tribute piece to post-Katrina New Orleans, tickets are nearly gone for the season opener. However, the great thing about the Momentum shows is with the intimate setting—this year at the Cadre Building—there's not a bad seat in the house! Plus, tickets will be available at the door for both Friday night's and Saturday afternoon's performances. With Hurricane Gustav visiting our neighbors to the south this week, and on the anniversary of the Katrina disaster, it makes the show this weekend that much more compelling. Momentum always premieres new works from some of the hottest choreographers around, but this year Ballet Memphis is especially proud to welcome critically acclaimed modern choregrapher Gabe Masson to Memphis and introduce his piece She Didn't Stay Long to the world. She Didn't Stay Long is Gabe's tribute to those who lived through Katrina and were made stronger because of her. Gabe is originally from New Orleans, and collaborated with fellow New Orleans native and singer/songwriter Scott Detweiler to design the piece. In a conversation with Ballet Memphis Artistic Director Dorothy Gunther Pugh, Gabe relates, "This piece began as a conversation between two artists—choreographer and composer—both sons of New Orleans. Though Katrina's visit to the Big Easy was short, her legacy continues a full three years later. Our families were scattered, our roots exposed and when everything settled, the need to make art arose." "Our goal wasn't necessarily to create a tribute to our hometown. We wanted simply to create a series of snapshots, moments of memory, maybe even dreams—what we knew of New Orleans and what we believe the future holds for her." Original music composed by Detweiler includes the songs, Prelude, A Man Like Me and Katrina Brought the Waters. 2008-09-03 13:15:17http://www.balletmemphis.org/news/news_detail.php?news_id=71With our celebrity chef host, Scott Peacock, helping launch Martha Stewart's new season on television this week, and the announcement that our wine purveyor, Cornerstone Cellars, has been named Winemaker of the Year by Food & Wine magazine, seats are selling fast. Plus, the new works that will be presented along with the fabulous four-course meal inspired by Karen Carrier, are turning out to be wonderful, adventurous pieces. Rising star Camille Brown spent two weeks with our fabulous company dancers back in August, choreographing her dessert piece which will definitely be the icing on the cake for the evening. This week, world-renowned choregrapher Mark Godden is in the studio spending time with the dancers who will be delighting us with his main course piece in October. We so hope you'll join us in helping make this year's Connections: Food a spectacular success. Tickets can be purchased by calling Roger Johnson, Development Director at Ballet Memphis, 901-737-7322. 2008-09-18 13:32:13http://www.balletmemphis.org/news/news_detail.php?news_id=72Open Rehearsal For The Firebird This Thursday A free taste of the Memphis Arts is the theme for Ballet Memphis' third "open rehearsal" this Thursday, October 23, from 11:30 a.m. to 1:00 p.m. These events are free, open to the public and are meant to encourage participation from the community who might not otherwise get to see Ballet Memphis dance in such an intimate, behind-the-scenes setting. This open rehearsal is being hosted on the first floor of the Radio Center Flats building, 66 South Main at the corner of Union. So if you're downtown this Thursday, bring your lunch or buy a boxed lunch there from the Center City Commission, and enjoy a sneak peek at the upcoming world premiere of The Firebird. The full-length story ballet, long a favorite of the dance and music worlds alike with its evocative Stravinsky score, has been rewritten and reimagined by world-renowned choreographer Mark Godden just for Ballet Memphis. There will be seating available, but guests are also encouraged just to pop their heads in for a few minutes if that's all the time you have. It's a rare and lovely opportunity to see the power and passion behind the performances, and The Firebird will be no exception. Click here to learn more about the production. Carnival of the Animals Preview and More at Zoo Boo, October 24th and 25th. For two nights, Ballet Memphis will be delighting families at the Memphis Zoo's Zoo Boo. On both Friday and Saturday night this weekend, Ballet Memphis will have 20-minute performances at 7:00 and 8:00 p.m. Included in this performance will be a special Junior Company performance of Birds of a Feather, choreographed by Ballet Memphis dancer and choreographic associate Steven McMahon. The professional company will also be presenting portions from last season's much-acclaimed Pork Songs (shown below), choreographed by Trey McIntyre for Ballet Memphis' fundraiser Connections: Food. The most exciting piece of the evening will be a sneak peek at the upcoming world premiere of McMahon's Carnival of the Animals which will be the opening act for the November 1st and 2nd performance of The Firebird. 2008-10-20 11:38:56http://www.balletmemphis.org/news/news_detail.php?news_id=73Memphis' only STOTT-certified Pilates Centre will begin a two weekend workshop for certification on the Cadillac Trapeze Table, a patented and integral part of the pilates equipment class repertoire. With the ultra-sturdy Cadillac Trapeze Table, you can add more than 200 exercises to your pilates workout and challenge the body in different planes of motion. There is an extensive range of applications for everyone, from post-rehab clients to peak performance gymnasts and athletes, who benefit from unique movements made possible with the trapeze. The Cadillac Course will be held at the new Pilates Centre in Orleans Place, across from Kroger at the corner of Poplar and Kirby Parkway. The course begins October 25 and 26 and continues November 7th through 9th. Call 901-753-4177 to register. The Pilates Centre of Ballet Memphis now offers STOTT Pilates instructor training courses in several areas. Courses are taught by Tamara Hoffmann, certified instructor trainer for STOTT Pilates and Ballet Memphis ballet mistress. Applications are available online and by calling the Pilates Centre at 901-753-4177. Applications must be accompanied by two letters of reference and a non-refundable deposit. Space is limited and applications are processed on a first-come, first-served basis. 2008-10-20 12:10:20http://www.balletmemphis.org/news/news_detail.php?news_id=74There can be no greater expression of our connection to the world than through food, unless you put it in the hands of Ballet Memphis. Thanks to wonderful artistic direction from Karen Carrier on the food and Dorothy Gunther Pugh on the dance, an amazing new connection was made for over 200 guests Saturday night at the 4th annual Connections: Food fundraiser. All proceeds from the event go to support original new work, educational enrichment programs and Ballet Memphis school scholarships. New to this year's event was a silent auction, including a trip to the Alluvian, and a special guest chef, James Beard award-winning owner of the Watershed restaurant in Atlanta, Scott Peacock. Also new was an outdoor cocktail hour with live music by Gary Johns. All of Memphis' own celebrity chefs were on hand as well to serve their amazing four-course meal which was served by the wonderful caterers from Another Roadside Attraction and was paired with wines from the recently named Food & Wine Winemaker of the Year, Cornerstone Cellars. The four original short works that were paired with each course covered the full range of music, company, talent, style, wardrobe, emotion and more creating an evening that attendees will not soon forget. As Christopher Blank from the Commercial Appeal wrote, "Artistry from dancers, chefs creates feast for the senses." To view Michael Donahue's video coverage from the event, click here. To be a part of next year's event, contact Roger Johnson at Ballet Memphis. Choreographer Camille Brown with Producer Kurt Clayton. Rafael Ferreras dances in Comedie of Taste, choreographed by Jesus Pacheco. 2008-10-21 12:46:21http://www.balletmemphis.org/news/news_detail.php?news_id=75 When Carnival of the Animals premieres November 1st and 2nd with The Firebird at The Orpheum, the Camille Saint-Saens score will be the same, but the animals will have a very real, new twist. Steven McMahon, Choreographic Associate for Ballet Memphis, gives a new treatment to the animals that is kindness in and of itself. The tortoise, for example, is a soldier coming home for his anxious swan. The elephant is a plodding, determined conductor. The rabbit is an impatient fuss, needing to be "No. 1." The rooster and his birds will not only make you guffaw, but you will be amazed at the strutting movement and feathered preening our dancers are bringing you. But it's not just Steven's take on Carnival that will delight audiences of every age. It is also the wonderous costumes that personify and bring these animals to life on stage through our dancers. Says Artistic Director Dorothy Gunther Pugh, "Our resident wardrobe supervisor and designer, Bruce Bui, has outdone himself. They are a perfect manifestation of Ballet Memphis' rigorous commitment to thoughtful, beautiful detail and they support the meaningful and expansive work you will see on the Orpheum stage." Below are some of the sketches that show the collaboration between the choreographer's vision and the costume designer's passion. To see a sneak peek of the new ballet, join us at Zoo Boo on October 24 or 25 where we'll be performing excerpts at 7:00 and 8:00 p.m. each night. Or, to learn more about Carnival of the Animals and The Firebird world premieres happening right here with Ballet Memphis, click here. 2008-10-23 12:08:06http://www.balletmemphis.org/news/news_detail.php?news_id=76Last Thursday, Ballet Memphis gave downtown Memphians a little taste of the upcoming world premiere Firebird at their first "open rehearsal" of the year, but those in attendance were left wanting more. So we decided to share with the public a taste of the new story line, where the Princess takes the lead and the Firebird takes a new place in lore. Firebird Program Notes, November 1-2, The Orpheum The Princess is trapped in a castle by the evil lord Koschei. Shackled and terrorized, the Princess dreams of the mythical Firebird, who, it is believed, dies by setting fire to its nest and then, from its ashes, a new Firebird is born. To the Princess, who dreams of a new life, the Firebird represents immortality and the "ever-after." Koschei, however, fears his own death and refuses his mortality. Because of this, Koschei has concealed his soul in a faraway land, hidden from all who seek his death. His enemies cannot kill him and Koschei truly is immortal. However, upon stealing the Princess and learning of the Firebird's powers, Koschei becomes infatuated with the Princess and her beliefs of death and resurrection and decides to hide his soul inside of her now instead. Elsewhere in the forest a handsome Prince tends to his apple orchard where he becomes frustrated with the flying forest creatures who are stealing his apples. Unable to capture the creatures, the Prince tries another approach by watching them and trying to communicate with them. As he does this, a miraculous exchange occurs and the Prince begins his journey. Meanwhile, Koschei’s actions against the Princess have become extreme. Koschei forces starvation on the Princess, who is now unshackled but still trapped, and demands she dress the part of the Firebird; to Koschei, the Princess is only a physical vessel for his obsession. Koschei also fantasizes a union between immortality and the “ever‐after” and stages a union between himself and the Princess. Alone, the Princess is visited by the forest creatures. They bring her food then disappear. Entering the Princess’ chambers, Koschei discovers this secret so he tortures and humiliates her. Although physically overpowered by Koschei, the Princess is not without cunning; she ultimately tricks Koschei and manages to escape. Fleeing Koschei, the Princess runs through the forest where she comes upon the Prince. The Prince gains her trust by speaking the language of the forest creatures, whom the Princess knows well. Then, the Prince and Princess discover their unique commonalities and devise a plan to be free of Koschei. Koschei pursues the Princess. The forest creatures slow him down but cannot stop him—and his power. The Princess remembers that Koschei has placed his death inside of her. Reconciling this fact, the Princess plans to kill Koschei by taking her own life so the soul of Koschei will die. The divine power of the Princess will be reborn, however, and the Princess claims her life and finds love of her own making. From the ashes of the old, a new Princess is born; from the ashes the Princess and the Prince live “ever‐after.” 2008-10-26 12:52:41http://www.balletmemphis.org/news/news_detail.php?news_id=77 Ballet Memphis has introduced some very special ways for Memphians to take-in the world premiere of The Firebird this weekend. Don't miss out, and share the news with your friends! $5 TICKETS FOR EVERY SHOW Seats along the far sides and back of every level are only $5 for every matinee and evening performance in The Orpheum, all season long! $7 TICKETS FOR UNIVERSITY STUDENTS, FACULTY AND STAFF Call the Box Office at Ballet Memphis, 901-737-7322, and $35 tickets are only $7 with a valid school ID. 20% OFF TICKETS JUST FOR WATCHING A VIDEO Visit ArtsMemphis.org or LiveFromMemphis.com and check out the Ballet Memphis behind-the-scenes look at the making of The Firebird, and get a click-through discount that is taken off your immediate online purchase. You can also receive this discount on GoMemphis.com just for clicking on our banner ad. 2008-10-29 8:11:02http://www.balletmemphis.org/news/news_detail.php?news_id=78 SHED THE STUFFING WITH CRYSTAL Don't miss this wonderful chance to experience a STOTT-Pilates workout with Ballet Memphis' own sensational and award-winning ballerina, Crystal Brothers. Cystal is hosting a special post-Thanksgiving workout called "Shed The Stuffing," a power workout guaranteed to blast away those unwanted calories we no doubtedly consumed over the holiday. Join us for this one-time class on Friday, November 28 from 9:45 - 11:15 am. The cost for the class is $20 and must be pre-paid to ensure your spot. Simply call the Pilates Centre at 901-753-4177 to make your reservation. MAINTAIN YOUR FITNESS GOALS OVER THE HOLIDAYS Worried about all those office parties, holiday gatherings and family get-togethers and how they can wreak havoc on your fitness goals? Well worry no longer! The Pilates Centre at Ballet Memphis has added a special set of mat maintenance classes to bridge the gap between mat sessions and get you through that holiday crunch time. Please call the Pilates Centre at 901-753-4177 to make your pre-paid reservation for a special holiday rate of $15 per class. Class schedule is as follows: Monday, Dec 16 - 5:45 pm open level Wednesday, Dec 17 - 9:45 am open level Friday, Dec 19 - 8:30 am open level Monday, Dec 23 - 5:45 pm open level Saturday, Dec 27 - 9:30 am open level, 10:30 advanced Friday, Jan 2 - 9:45-11:15 am restorative Saturday, Jan 3 - 9:30 am open level, 10:30 advanced 2008-11-11 11:13:16http://www.balletmemphis.org/news/news_detail.php?news_id=79PIROUETTES WITH PANERA—Dec 4th through 9th Panera Bread is opening its first Memphis area location on Germantown Pkwy in Trinity Commons, directly across the Parkway from Ballet Memphis. We’re all thrilled to have a great new lunch option, but even better than that, Panera, which is known for being community-minded, has struck up a partnership with Ballet Memphis: they will be raising money for the Ballet School and our educational enrichment programs in a partnership called “Pirouette with Panera.” Panera will have a series of events leading up to the opening at which you will get a chance to sample their food for free and at which they will be collecting donations for Ballet Memphis (Panera will match 1:1 and then present a check to Ballet Memphis at the grand opening on Tuesday December 9th). VIP Party- December 4th 6-8pm Practice Party- December 5th 11-1pm and 5-7pm Practice Party 2- December 6th 11-1pm Opening Day, December 9th - Media Party/Check Presentation/ Ribbon Cutting- 9AM Ballet Memphis will have a parade of dancers attend the Ribbon Cutting. MESQUITE CHOPHOUSE NUTCRACKER SPECIAL—Dec 5th through 7th Make your Nutcracker experience even more memorable with a special dinner with our newest downtown partner. The Mesquite Chophouse, 88 Union Avenue, has prepared a special Nutcracker four-course dinner that will be available all weekend long. Choose from favorites like bacon-wrapped shrimp, caesar salad, angus filet with cognac cream, cedar plank salmon with horseradish hollandaise, even their triple layer chocolate cake is available all for one prix fixe price of $29. And the best part, besides dessert, is that 10% of all proceeds go straight to the Ballet Memphis School. The Mesquite Chophouse In Support of Ballet Memphis The Nutcracker Dinner 10% of all proceeds to benefit the Ballet School $29.00 Per person APPETIZER Bacon Wrapped Shrimp in a Honey Maple Glaze Or The Shaved Prime Rib Pizza SALAD The MCH Mixed Greens Salad Or The Traditional Caesar Salad ENTREE A 6oz Certified Angus Beef Filet served with fresh cut Asparagus and Garlic Mashed Potatoes along with a side of Cognac Cream Sauce Cedar Plank Smoked Salmon Smoked and then grilled atop our mesquite wood grill and served on a Cedar Plank accompanied by our cabernet rice and topped with a Horseradish Hollandaise and crumbled bacon pieces The Airline Breast of Chicken Seasoned with cracked black pepper, salt, and garlic then cooked on our mesquite wood grill and topped with a Honey Dijon and served with Mashed Potatoes Alfredo Pasta Traditional Fettuccini Pasta served with Homemade Alfredo sauce Chicken, spinach, asparagus, and tomatoes can be added upon request and are included in the menu price DESSERT New York Style Cheesecake with a Raspberry sauce Triple Layer Chocolate Cake drizzled in a chocolate glaze Lemon Tort with a graham cracker crust 2008-12-03 18:18:22http://www.balletmemphis.org/news/news_detail.php?news_id=80In September, Ballet Memphis launched our 22nd season with four fabulous new works in a fabulous new location for Momentum X. In October we welcomed new attendees and celebrities to our annual fundraising event, Connections: Food. In November, we were honored to bring two new world premieres to the historic Orpheum Theatre stage—retelling the classics Firebird and Carnival of the Animals like no other company our size has dared to do. And in December, even despite difficult economic times for many, we welcomed more people to Nutcracker than ever before. We are definitely blessed that in this day and age, the people of Memphis still hunger for intelligent, meaningful and inspiring artistic work, and strive to support it. For that, we thank you, and look forward to an amazing second half of our season. SPECIAL HOLIDAY BOX OFFICE HOURS Ballet Memphis Studios Box Office can be reached by calling 901-737-7322 or visiting the studio at 7950 Trinity at Germantown Parkway during the following times: 8:00 a.m.—5:00 p.m. December 22-23 closed December 24-26th 8:00 a.m.—5:00 p.m. December 29-30 closed December 31-January 2SPECIAL GIFTS AT SPECIAL PRICESThe Allegro Pack is back, and perfect for everyone on your list. With a special price on a package of 6 tickets, you can let your friends and family sample a wide array of dance, including new modern work as well as reimagined classics. Allegro tickets can be used in any combination—6 for one show, 2 each for 3 shows, etc.—and you always receive the best seat available at the time of booking. Just $250 for a $420 value! Call our box office today at 901-737-7322 to purchase your Allegro Pack. 2008-12-15 8:58:14http://www.balletmemphis.org/news/news_detail.php?news_id=81Ballet Memphis' Junior Company will present one of its most ambitious evening of work yet at their annual winter show this weekend. Entitled From the Soul, the performance will include eight original works choreographed by the actual JuniorCompany Dancers.Ballet Memphis School / Junior Company is one of the veryfew ballet schools in the country that gives their students the opportunityto learn how to choreograph. Dancers in Ballet 7 and 8 classes may audition for the Junior Company, the nonprofessional performing wing of Ballet Memphis. Junior Company members often perform corps roles in Ballet Memphis mainstage productions, and they present their own performances each fall and spring.Admission is by donation to benefit the Junior Company. For more information, call 901-737-7322. From the SoulBallet Memphis Studios7950 Trinity at Germantown ParkwayFriday, January 9, 7:30pmSaturday, January 10, 7:30pmSunday, January 11, 6:302009-01-06 10:17:25http://www.balletmemphis.org/news/news_detail.php?news_id=82Valentine's weekend, Ballet Memphis kicks off the second half of our 22nd season with the second in our Abundance series, Abundance: Art in Motion. For just two performances, you'll experience four new works from four amazing choreographers showing us, through dance, how the fine art world is an inspiration for all of us. New dance works are based on pieces in the collections of four of Memphis' finest museums: Brooks Museum of Art, the Dixon Gallery & Gardens, the National Ornamental Metal Museum and Power House Memphis.But creating a collection of work like Abundance, is a lot of work in itself. That's why each museum is opening up its doors to our choreographers and dancers for a behind-the-scenes look at the new ballet inspired by a piece from their collection. The curator of the inspiring piece of art will also be on hand to discuss the art and the artist.Join Ballet Memphis artistic staff and dancers for all four open events—each with lots of food, fun and friends, as well as an intimate chat with the choreographer and the curator of each piece which inspired a new ballet. A sneak peek of the new ballet will be shown and dancers will be on hand to meet and greet. All parties begin at 6:00 p.m.Power House Memphis — Wed, Jan 14Dixon Gallery & Gardens — Thurs, Jan 22Metal Museum — Fri, Jan 30Brooks Museum of Art — Thurs, Feb 52009-01-07 18:49:08http://www.balletmemphis.org/news/news_detail.php?news_id=83Special thanks to all those who attended the first of our Abundance preview parties at the Power House Museum this week. New Executive Director of Power House, Rehema Barber, played host to a group of more than 20 art and dance lovers."The best part of the party was that people were really interested and wanted to learn more, as well as mix and mingle with new people," said Artistic Director Dorothy Gunther Pugh.Company member and choreographer Jane Rehm selected a work by artist Matt Ducklo as her inspiration for Abundance. Ducklo's acclaimed "Touch Tour" series photographed blind patrons touching sculptures of all different varieties and then relaying their experience. Rehm explained how the concept of experiencing art without seeing it translates into a new ballet for Abundance: Art in Motion. The sneak peek film shown at the party revealed how Rehm has her dancers, male and female pairs, experiencing each other with a 17' white silk draped down between them. The dancers become intertwined, even layered without ever missing beat. And for her own beat, Rehm chose Schubert. She shared with her intimate audience how his music was the perfect accompaniment for her piece because although it is a classical work, you never know where the music will go next. Each of the museums that shared their collections with Ballet Memphis for this Valentine's performance will host a similar intimate gathering for people to see not only how fine art can inspire the dance arts, but also to see how a new ballet is made, meet the dancers and enjoy a good party at the same time. Upcoming parties include:Dixon Gallery & Gardens - Thursday, January 22Metal Museum - Friday, January 30Memphis Brooks Museum of Art - Thursday, February 52009-01-16 9:20:54http://www.balletmemphis.org/news/news_detail.php?news_id=84Special thanks to the Dixon Gallery and Gardens for hosting last week's free Abundance: Art in Motion preview party. Executive Director Kevin Sharp gave a lovely introduction of the artwork, a John Singer Sargeant painting currently on display at the gallery, selected by our choreographer Dana Tai Soon Burgess. Burgess then shared with the packed room why Sargeant's painting of a man in a gondola inspired him to create his new ballet for Ballet Memphis.Burgess's new piece will focus on the back story of the man in the painting, and his search for his soul mate. What will be most striking is how the Asian-American choreographer uses his own unique style to bring to life a period piece of a European-influenced South American diplomat. To make his piece even more accurate, he specifically chose a South American composer whose music was heavily influenced by European sources.The night was rounded out with a video sneak peek of the work in progress in the studio where the Ballet Memphis dancers are bringing the painting to life, as well as an informal question and answer with the dancers themselves.Join us this Friday for the third in this series of free Abundance: Art in Motion preview parties when the National Ornamental Metal Museum hosts friends for a wine and cheese reception and a chat with the curator and choreographer of the fabulous world premieres coming Valentine's weekend to The Orpheum.Call Ballet Memphis at 901-737-7322 or the Metal Museum at 901-774-6380 for more information.Friday, January 30th, 6-8pmwww.metalmuseum.org374 Metal Museum DrMemphis, TN 381062009-01-28 7:16:22http://www.balletmemphis.org/news/news_detail.php?news_id=85Special thanks to all our museum partners, and everyone who attended our free Abundance Sneak Peek Preview Parties. Good wine and conversation was definitely enjoyed by all. If you weren't able to attend, don't worry—we've posted our behind-the-scenes videos for each of the ballets we're premiering this weekend, right here.The Blues on Beale, choreographed by Camille A. Brown, is based on a Mario Bacchelli painting currently on display at the Brooks Museum of Art. Touch Tour, choreographed by Jane Rehm, is based on the Matt Ducklo series of the same name that exhibited at Power House Memphis and other galleries around the country. Venetian Reflections, choreographed by Dana Tai Soon Burgess, is based on a painting by John Singer Sargent in the Dixon Gallery & Gardens collection. Belong, by Travis Bradley, creates a story behind Manuel Guerra's Padlock and Key on display at the National Ornamental Metal Museum. 2009-02-10 21:05:21http://www.balletmemphis.org/news/news_detail.php?news_id=86The workshop will be held at the Clark Opera Memphis Center on Saturday, March 21, from 10 a.m. until 11:30 a.m. Families with children of varying ages are of course welcome for the demonstration, but please note the workshop will be most enjoyable for children ages 6-9. Ballet Memphis' Travis Bradley, who joined the company in 2004, has been working closely with Muppet puppeteer Frank Kane on his new piece for Connections: Puppets. Their collaboration is attempting to make our life-size marionettes connect with us on an all-too-human front, and the preliminary results are already amazing. Kane was discovered by Jim Hensen contemporary Kermit Love, co-creator of Sesame Street's Big Bird and Mr. Snuffleupagus. Kane was the puppeteer for Mr. Snuffleupagus, as well as Baxter on The Great Space Coaster, another collaboration with Love. However, this is not the first time the master puppeteer has dabbled in dance: when Kermit Love designed the 16' tall Mother Ginger puppet for the Joffrey Ballet's Nutcracker, Kane was called upon to bring her to life.Reservations are required for this event—please call Ballet Memphis at 737-7322 to save your spot.2009-02-11 11:07:38http://www.balletmemphis.org/news/news_detail.php?news_id=87The Pilates Centre of Ballet Memphis is the only STOTT-certified pilates center and instructor training facility in Memphis. Come find your fit with the professional dancers and instructors of the Pilates Centre at these upcoming class sessions and workshops:Spring Mat SessionMarch 16th through May 23...10 weeks...open to anyone who has taken an intro to Pilates class...one class per week $170...two classes per week $280.Spring Intro to Pilates ClassesIntro classes are only $15 for a one-time special session and is recommended so that the instructors can get a better feel for your needs before starting a 10-week session. Upcoming class dates are: March 2, 9, 16 and 23 (Mondays) @ 6:30 pm; and March 7, 14, 21 and 28 (Saturdays) @ 1:30 pm.Pilates on the GreemMatwork for the Golfer...March 14th...2:45-4:45 p.m....Open to students and Pilates instructors...$100.00STOTT Pilates Instructor WorkshopARC BARREL...March 14th...12:30-2:30 p.m....$100.00STOTT Pilates Instructor Certification Course in CHAIRMarch 27 from 3-8 pmMarch 28 from 12-5pmMarch 29 from 9a-2pmCost for the course is $550.00The Pilates Centre is located at 1789 Kirby Parkway. For more information, call 753-4177 or balletmemphis.org2009-02-24 9:47:40http://www.balletmemphis.org/news/news_detail.php?news_id=88With only two performances scheduled for March 21 and 22, an exciting new intimate venue, and prices starting at just $25, the world premiere of Connections: Puppets is shaping up to be a not-to-be-missed experience.Two world-renowned choreographers have brought their award-winning and thought-provoking pieces to Ballet Memphis—the first ballet company to ever perform the unique pieces. First is Jane Comfort, pioneer of the avant garde dance movement, and her BESSIE award-winning piece Underground River. Called a "risk-taking and profound theatrical tour de force," Underground River is an exploration of the rich fantasy life of a girl who appears to the outside world to be unconscious. Singing a cappella songs by Toshi Reagon and interacting with the magical visual creations of master puppeteer Basil Twist, the dancers dwell in a world of magic realism and eccentric beauty unseen by those who wish to make her "well."The second piece is Beyond: Portraits of Chinese Women from choreographer Lily Cai. Cai uses her hybrid vocabulary of traditional Chinese and American modern movement to explore the strength, complexity and inner beauty of the Chinese woman. The dancers, moving with quiet eloquence to Adagio for Strings by Samuel Barber, each cradle, support and nuzzle dolls with vast poetic restraint, capture the power of motherhood.The finale of the night is an original work from Ballet Memphis' own Travis Bradley. Off the heels of his success from February's Abundance: Art in Motion, Bradley brings us his version of the Ugly Duckling. Sketches of the all-new costumes will be released on the website next week, but the most exciting part of the production is the collaboration with Frank Kane, famous puppeteer/muppeteer/inventor, who has brought life-size marionettes to life for the dancers.Tickets are just $25 and $50 and plenty of free parking surrounds the Clark Opera Memphis Center at Wolf River Parkway. Click here for your tickets or call the Ballet Memphis Box Office at 737-7322. Don't be left out!2009-03-09 19:26:29http://www.balletmemphis.org/news/news_detail.php?news_id=89Join the Ballet Memphis professional Company as they rehearse for the upcoming premiere of Cinderella at The Orpheum on April 18 and 19. Both open rehearsals are free and open to the public, and are a great way to see the personalities behind the stage lights. All ages are welcome.Saturday, April 4, 10a-12pFirst Congregational Church, 1000 S. Cooper in midtownThursday, April 16, 11:30a-1pLowenstein Building, 66 South Main at Jefferson, downtownLast season, Ballet Memphis began their open rehearsals downtown with Abundance and then continued this fall with Firebird. The overwhelming success of these events has led them to seek out additional locations so as to reach a wider audience. At the downtown events, rehearsals are intentionally scheduled during lunch so that guests can "brown bag" and not miss a beat. Cinderella is the second full-length ballet and one of 15 new works Ballet Memphis has brought to the stage this season. Ballet Memphis is the only company of its size to commission and premiere such extensive new repertoire.This Cinderella will be the classic story of the shy girl transformed into a beautiful princess, complete with her mice, horses and carriage, and of course, fairy godmother.Tickets start at only $5 and can be purchased online, at The Orpheum or by calling the Ballet Memphis Box Office at 737-73322.2009-03-30 18:36:52http://www.balletmemphis.org/news/news_detail.php?news_id=90Presented by the Ballet Memphis Junior Company, the nonprofessional performing wing of Ballet Memphis, Boundless Reach promises to be a true collaboration of talent and an experience of movement and music, too. Five new dance works comprise the performance which will have two showtimes next weekend: Friday, April 17 at 7:30pm, and Saturday, April 18 at 2pm. Tickets are available at Ballet Memphis or at The Orpheum door. All seats are only $5 and are general admission seating.The first work of the evening boasts the largest cast with 16 and was choreographed by the Junior Company Director Janet Parke. Someday is set to "Someday My Prince Will Come," performed by Dave Brubeck.The next two pieces were both choreographed by Ballet Memphis' own dancers Catch Me, choreographed by Jane Hope Rehm, is set to Robert Schumann. Company member Nicole Corea's piece, Resolute, follows. Set to music by Johan Halvorsen Resolute is based on a quote from President Barack Obama's inaugural address that states "...we will extend a hand if you are willing to unclench your fist."And if the music and choreographic selections weren't already enough to show the depth and breadth of talent within this group, Associate Artistic Director Karl Condon brings us Alright with a cast of only two dancers, set to the tunes of Icelandic indie pop music stars Sigur Ros.The final piece to be performed, called Black Sheep Project, is perhaps the most ambitious of the evening. 11 Junior Company members collaborated on this piece, with each dancer developing steps and phrases to form the movement vocabulary and contributing conceptual ideas to the overall direction of the project.The Ballet Memphis Junior Company is open by audition to any dancer, male and female, in Ballet 7 and 8. The Junior Company often performs corp roles in Ballet Memphis mainstage productions. The group currently consists of 37 dancers, ages 13 to 18.2009-04-10 13:20:59http://www.balletmemphis.org/news/news_detail.php?news_id=91A big thank you to everyone who came out to First Congo on April 4th for our first Cinderella open rehearsal. Not only did the kids all have a great time learning to leap while the dancers took a much-deserved breather, but the adults were given the special treat of watching history in the making: Choreographic Associate Steven McMahon taught our fabulous ballerinas a new segment of Cinderella choreography, and the guests got to watch it from start to finish!This week, don't miss your last chance at a sneak peek when Ballet Memphis holds its last open rehearsal of the season on Thursday, April 16, from 11:30am-1pm at the historic and newly renovated/reopened Lowenstein Building on Main Street. Brown bag it and come have lunch with some true professionals while watching a world premiere take shape.Then, for all those attending this weekend's Sunday matinee of Cinderella, we're encouraging all the little princes and princesses to dress in their Cinderella best (tiaras encouraged!) and join the parade from The Orpheum to The Majestic Grille (one block north) for tea and sweets with Cinderella and her Prince. Cinderella's carriage will lead the way, and everyone is invited along. This very special and intimate event is a fundraiser for Ballet Memphis' Educational Enrichment programs. The cost is $10 per person, with a limit of 100. Reservations are required through Ballet Memphis by calling Amy Patrick at 901-737-7322.2009-04-13 14:01:52http://www.balletmemphis.org/news/news_detail.php?news_id=92Although Ballet Memphis recently ended its spectacular 22nd season, the company will continue to wow audiences with an upcoming performance.Ballet Memphis will return to St. Louis to perform in the second annual Spring to Dance event, taking place at the Touhill Performing Arts Center, May 21-23, 2009. Billed as the “best of the Midwest & beyond,” Spring to Dance showcases 30 unique companies and gives audiences an incredible array of dance over the three evenings.Last year’s premiere event debuted to enthusiastic audiences, and Ballet Memphis is pleased to return. The company will be performing Trey McIntyre’s Barramundi.Tickets for each evening of Spring to Dance are only $10 each. For more information and a complete schedule, visit springtodance.com2009-05-01 14:42:40http://www.balletmemphis.org/news/news_detail.php?news_id=93Two Ballet Memphis company members were selected to compete in the senior division at the prestigious Helsinki International Ballet Competition, taking place June 2-11. More than 100 dancers from 40 different nations will be represented at this year’s competition; the last Helsinki International Ballet Competition took place in 2005.Company members Julie Marie Niekrasz and Scott Spivey are two of only eight American dancers selected to compete in the senior division, for dancers ages 19 to 25. All of the competition’s events will take place at the Finnish National Opera House. For more information, visit, www.balcomphel.fi“We’re incredibly proud of our entire company and the versatility they possess as artists,” said Dorothy Gunther Pugh, founder and artistic director. “We are thrilled to to support Julie and Scott at the HIBC.”2009-05-03 7:55:33http://www.balletmemphis.org/news/news_detail.php?news_id=94Summer Mat Classes at the Pilates Centre start in a few weeks! Summer session starts June 1 and runs through August 9. All classes are taught by certified STOTT Pilates instructors. There are two options for the nine-week session: 1 class per week for $145 or 2 classes per week for $240.Check here for a complete listing of classes, days and times. All students taking beginning mat classes are required to take one Intro to Pilates session. Times are below.Intro to Pilates sessions:Monday, May 18thSaturday, May 23rdSaturday, May 30thMonday, June 1Saturday, June 6Monday, June 8Saturday, June 13Times: Mondays at 6:30 p.m. Saturdays at 1:30 p.m.The Pilates Centre is located at 1789 Kirby Parkway #8. For more information, call 753-4177.2009-05-07 8:10:36http://www.balletmemphis.org/news/news_detail.php?news_id=95From a film contest and partnership with the Boys & Girls Clubs of Greater Memphis, to a dance party and ultimately a new professional dance work, we’re fusing the city’s undiscovered and top talent together, the performing arts with the electronic ones, the young and young-at-heart. So start dancing, start filming and start sharing your happy dance with us.FILM CONTEST - Call For EntriesYou know what it feels like to see that special someone, to drive a new car, score the winning goal or land the dream job—the things that really light your fuse? That make you explode with joy like fireworks over the Mississippi? Things that bring you such instant joy that you do your little happy dance when no one is looking? Well, we’re looking now, and we want you to rekindle that joy and share it with the world. Show us your happy dance, and you could win our Grand Prize—seeing your joyous inspiration become a professional Ballet Memphis dance work. The winning happy dance will premiere opening night at Playhouse on the Square, the new midtown home of Ballet Memphis. Don’t have a happy dance? Then show us what you think joy looks like in dance. You don’t have to be a pro—this dance is for everybody.All you have to do is film your happy dance in three minutes or less, and submit it to Ballet Memphis through our YouTube group. Our panel will view your little piece of joy and select semifinalists. All semifinalists will have their submissions posted online for audience voting and win two tickets to the February premiere, Abundance: Joyful Noise. We’ll announce the finalists at FUSE—our September dance party and 23rd season opener celebration. Then, each finalist will work with Ballet Memphis dancers who will turn your spark of joy into a new professional dance work. We’ll be watching the process, and will announce the overall winner at our November performance of Wizard of Oz. If you win, you’ll be watching Ballet Memphis perform your happy dance on opening night at Playhouse on the Square in February 2010.Film Contest runs from June 1 to July 15. Upload your videos during this time.Semifinalists will be selected between July 16 and July 31. All semifinalists will be available on our website for voting.Citywide voting takes place from August 1 to August 31. Visit us online to cast your vote.FUSE: a dance party will take place September 12 at the Ballet Memphis studios. Finalists of our film competition will be announced and our 23rd season officially kicked off with a party-like atmosphere. 2009-05-25 11:35:52http://www.balletmemphis.org/news/news_detail.php?news_id=96Now in its 10th year of closing the season with a show by and for the dancers, Interiorworks promises to leave you eagerly awaiting next season.Choreographers this year include company members Steven McMahon, Jane Rehm, Travis Bradley, Kate Feuer, Nicole Corea and Jesus Pacheco. Associate Artistic Director Karl Condon will also be contributing a new work for the evening's events.Admission is by donation at the door with proceeds benefiting the Artists' Resource Fund - a fund designed by the company to assist Ballet Memphis artists as they transition into a new path in life. Assistance could come in the form of tuition assistance, money for books, skills training and more.The evening is always an intimate but casual look at the dancers and a fun time to meet and greet both the company and other supporters. Catering is provided by Tim Barker of the Beauty Shop. Wine and beer is available for purchase, with special beer selections from Chris Jaynes.A silent auction is also available, but this year with special surprises including studio window artwork by Joel Parsons, photography by Travis Bradley and other wonderful works by local artists.SPECIAL INVITATION FOR THURSDAY NIGHT ONLY! Say bon voyage and get a sneak peek of company members Julie Niekrasz and Scott Spivey as they leave for the Helsinki International Ballet Competition. The dancers were 2 of only 8 Americans selected to compete, and they will perform some snippits of their competition pieces before Thursday night's Interiorworks. Start time is 6:30pm, then stay for drinks and a fabulous Interiorworks 10.2009-05-25 12:02:35http://www.balletmemphis.org/news/news_detail.php?news_id=97As part of FUSE, Ballet Memphis' new community-wide series of events that brings together people of all backgrounds to bring out their joy in dance, the organization has teamed up with the Boys and Girls Clubs of Greater Memphis."We know there is so much talent out there, and so much joy to be shared, that we wanted to make sure that kids from all parts of our community were able to participate with us. That's where the Boys and Girls Clubs came in."The clubs have wonderful teen membership in the summers, and the first element of FUSE is a film contest open to anyone ages 14 and up who want to share their "happy dance" with us for a chance of seeing it turned into a professional dance work. The film contest is currently running, and anyone can post their submission to YouTube for judging by a celebrity panel including local filmmaker Craig Brewer, Pat Worley of the Memphis Music Foundation, Erik Jambour of Indie Memphis and Ekundayo Bandele of Hatiloo Theatre to name a few.The film dates at the Boys and Girls Clubs are as follows:Friday, June 26, 1:30-3:30, Ira Samelson Jr. ClubFriday, July 10, 10:00-12:00, Hickory Hill ClubFriday, July 10, 1:00-3:00, Downtown Porter ClubDancers Stephanie Mei Hom and Kendall Britt will be on hand to work with the kids and help them capture their most unique and joyous moves on film. Semifinalists will be posted to the Ballet Memphis website the month of August to allow for community-wide voting, with finalists being announced at the season-opening performance at the Ballet Memphis Studios on September 12 at 7 p.m. 2009-06-26 6:38:10http://www.balletmemphis.org/news/news_detail.php?news_id=98The next essential mat session will run August 17 through October 17. This 9-week session is taught at the brand new Pilates Centre in Orleans Place, at Kirby Parkway and Poplar, across from the Kroger. There are also eight dates where beginners can take an Intro to Pilates class prior to the next mat session:Mondays 6:30 pm Saturdays 1:30 pmAug 3 Aug 8Aug 10 Aug 15Aug 17 Aug 22Aug 24 Aug 29All classes are taught by certified STOTT-Pilates instructors, many of whom are also Ballet Memphis professional dancers. Visit us today!2009-06-30 6:56:00http://www.balletmemphis.org/news/news_detail.php?news_id=99The artistry of fine dining pairs with the artfulness of dance in our 5th annual feast for the senses. This intimate evening offers surprises for every palate with four original short dance works, each served with a generous side of style, emotion, talent and Memphis' top culinary creations.We are pleased to welcome as our Guest Host this year, Martha Foose, the 2009 James Beard award winner for Best American Cookbook, Screen Doors & Sweet Tea. Martha was the dessert chef for 2007 and 2008 Connections: Food eventsAs in years past, culinary inspiration for the evening is from the creative mind of Memphis' own celebrity chef, Karen Carrier. And adding to Karen's wonderful palate is a host of Memphis' favorite up-and-coming chefs. The first course and appetizers will be prepared by Karen Carrier of The Beauty Shop / Do Sushi / Noodle Doodle Do / Mollie Fontaine Lounge and Tim Barker of the Beauty Shop Restaurant. Second course will be presented by Andy Ticer and Michael Hudman from Andrew Michael Italian Kitchen. This year's entrée will come from Kelly English of Restaurant Iris, recently named by Food & Wine as one of the “top new chefs” in America for 2009. And dessert from Jenny Dempsey of the Mollie Fontaine Lounge will round out the evening. All courses will be paired with wines from InSitu.Seating is limited for this special annual fundraiser. Please contact Roger Johnson or Amy Patrick at Ballet Memphis for tickets at 901-737-7322.2009-07-09 7:03:44http://www.balletmemphis.org/news/news_detail.php?news_id=100Join the faculty, staff and professional dancers of Ballet Memphis for the fall session of classes at our award-winning facility in the East Memphis/Cordova area. With classes from every level for age 3-18, and multiple times/days from which to choose, there's no better time to introduce your child to the discipline, body awareness and self-confidence that they can reap from our classes. Even adults, from beginner to advanced, have classes especially designed for them. Visit our web page for times, costs and even to download a registration form.2009-07-27 8:02:54http://www.balletmemphis.org/news/news_detail.php?news_id=101Three choices are available and you can even personalize to your tastes. So support Ballet Memphis by supporting the Tennessee Arts Commission, Arts for Everyone!Tennessee Arts Commission - CatAvailable to: Any Tennessee resident registering a private passenger motor vehicle. Annual Fee: $56.50 - $30.75 of the additional $35.00 is allocated to the Tennessee Arts Commission.Tennessee Arts Commission - FishAvailable to: Any Tennessee resident registering a private passenger motor vehicle. Annual Fee: $56.50 - $30.75 of the additional $35.00 is allocated to the Tennessee Arts Commission.Tennessee Arts Commission - RainbowAvailable to: Any Tennessee resident registering a private passenger motor vehicle. Annual Fee: $56.50 - $30.75 of the additional $35.00 is allocated to the Tennessee Arts Commission.Personalized Plate: $91.50; 5 characters available.2009-07-28 9:29:23http://www.balletmemphis.org/news/news_detail.php?news_id=102(BOSTON) New England Foundation for the Arts (NEFA) announces that its National Dance Project (NDP) has awarded $669,400 in Production Grants to support the development of new dance works during the 2009-2010 seasons. Twenty-one contemporary dance artists and companies based in Illinois, New Mexico, Tennessee, Minnesota, Washington, California, Pennsylvania, New York, and France will receive NDP Production Grants in amounts from $16,000 to $35,000. Projects were selected from a highly competitive applicant pool. Once developed, the works will be available for national touring activity during the 2010-2011 or 2011-2012 performance seasons.In addition to the Production award, each grant recipient will receive general operating support, ranging in amounts from $7,000 to $16,000 from special funding from the Doris Duke Charitable Foundation. These funds are intended to ensure organizational stability during this extraordinarily challenging economic period."This year's grantees reflect the amazing diversity of the dance field---site-specific work, ballet, hip hop, break dance, Native American, Cambodian, and Afro-Brazilian forms," said Jane Forde, NDP Manager. "Artists are bridging cultures and creating work that will truly engage communities across the United States." NEFA's National Dance Project Production and Touring grants are generously supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, the Ford Foundation, and the MetLife Community Connections Fund of the MetLife Foundation.Ballet Memphis' grant will go to fund a new work by choreographer Jane Comfort. Jane Comfort’s ballet, set to a score by Kirk Whalum, is a highly structured, abstract dance that blends classical ballet with contact and modern dance’s sensibility. Known in the business as Whitney Houston’s “sax guy,” the eight-time Grammy nominated African American musician Whalum has composed a score firmly rooted in the gospel tradition. Presented in an evening of mixed repertoire, the ballet celebrates the joy that is gospel: the ability to maintain an utterly enthusiastic and positive spirit in the face of dire circumstances and conditions.The new work will premiere at this season's AbunDANCE: Joyful Noise, the premiere of Ballet Memphis in their new Midtown home in Playhouse on the Square. 2009-08-28 12:02:33http://www.balletmemphis.org/news/news_detail.php?news_id=103Don't miss the party of the year, and an exclusive chance to see inside the architecturally award-winning studios of Ballet Memphis. This Saturday's kick-off of the 23rd season will feature sneak peek performances of new works being created for this season, a chance to meet to our new dancers, the announcement of the finalists for our FUSE dance contest and more.Plus, lots of treats to eat from Another Roadside Attraction is included in your ticket price. After performances and awards, DJ Porter Allison will spin tunes. You can peruse the costume gallery, hang out with the dancers and enjoy the people. Tickets will be on sale for future performances, and everyone in attendance will receive a gift bag.Tickets are on sale now for only $20, $10 with a college ID. 2009-09-08 10:29:39http://www.balletmemphis.org/news/news_detail.php?news_id=104Ballet Memphis is holding open auditions for children’s roles in this season's production of the Nutcracker, running December 11-13, 2006 at The Orpheum.Auditions will be held TUESDAY, SEPTEMBER 22, 2009 at Ballet Memphis’ studios, 7950 Trinity Road (at Germantown Parkway). • 5:15p-6:15p ages 9-12 • 6:15p – 6:45p young boys ages 7-13 • 6:45p – 8:00p ages 14 and up (on pointe) Girls must have at least three (3) years of classical ballet training; no training required for boys. Girls should wear a leotard, tights and soft ballet shoes; boys should wear a T-shirt and shorts.For more information, contact Ballet Memphis at 901/737-7322 ext. 302.2009-09-14 12:18:19http://www.balletmemphis.org/news/news_detail.php?news_id=105Ballet Memphis Junior Company, under the direction of Janet Parke, will present “The Match Girl” at the Ballet Memphis Studios, 7950 Trinity Road in Cordova:• Friday, November 9, 7:30 p.m.• Saturday, November 10, 2 p.m. and 7:30 p.m.• Sunday, November 11, 6:30 p.m.Seating for each performance is limited, and in lieu of tickets, guests are asked to make a donation to benefit the Junior Company.“The Match Girl,” choreographed by Parke, is an adaptation of Hans Christian Andersen’s fairy tale about a poor young girl who must sell matches on the street to survive. Despite its bittersweet ending, the ballet is a poignant reminder of our responsibility to provide and care for those less fortunate than ourselves.Ballet Memphis Junior Company is the non-professional wing of Ballet Memphis and provides performance experience and opportunities for 36 young dancers, ages 12-18. Company members are selected by audition.2009-09-14 12:25:31http://www.balletmemphis.org/news/news_detail.php?news_id=106"One major highlight of the fall issue of Crossroads is the Memphis Top 20 Untapped Artists. In this featured section, we asked local leaders from Arts Memphis, True Story Pictures, Live From Memphis, Ballet Memphis, Opera Memphis, Project Motion, New Ballet Ensemble, Out Loud Artistry, the former Power House Memphis, and local producers and filmmakers to recommend twenty creative individuals whose talent has not reached its full potential here in Memphis, but whose outstanding work speaks for itself. These individuals represent the various genres of the arts – music, illustrations, painting, film, theatrical performer - and are quietly making a name for themselves with their immense talent. The selected talent all reside here in Memphis, and are diverse in age, background and experience."Way to go, Kendall!2009-09-15 18:58:28http://www.balletmemphis.org/news/news_detail.php?news_id=107The event of the season is this Saturday, October 3, at BRIDGES, Inc. downtown. It's a one-of-a-kind experience where four renowned chefs pair dishes to match the creations of four renowned choregraphers, and the two are paired together as a four-course meal. Lead by the culinary inspiration of Karen Carrier from Another Roadside Attraction Catering, the Beauty Shop Restaurant, Mollie Fontaine Lounge and do+Sushi, the night will be nothing short of extraordinary. This photo is from Garrett Ammons new piece choreographed just for this event. Set to music by New Orleans' own Dr. John and served against an entree from Memphis' own top chef, Kelly English of Restaurant Iris. Visit our Facebook page to see more rehearsal photos.2009-09-30 15:34:46http://www.balletmemphis.org/news/news_detail.php?news_id=108Ballet Memphis recently returned from performing excerpts of their original staging of Nutcracker around the Midsouth. Shows at the Ann L. Marks Performing Arts Center at College Hill, Brownsville, Tenn., the Historic Crockett Theatre in Lawrenceburg, Tenn. and the Dixie Carter Performing Arts Center in Huntingdon, Tenn. opened to sold out crowds and closed to rave reviews.From Brownsville audience member Betsy Reid, "the children in the audience were transfixed, and the adults were impressed. The dancers were both graceful and gracious. I have long been an admirer of [Ballet Memphis}, and I appreciate so much your commitment to innovation and excellence in dance." This was the first appearance in Brownsville by Ballet Memphis in eight years, and was sponsored by the Arts Council there.After Ballet Memphis performs its four scheduled shows at The Orpheum, December 11-13, the entire company, sets, costumes and staff will travel to Spokane, Washington, to perform the ballet in its entirety there, accompanied by the Spokane Symphony. Ballet Memphis will be joined by 70 local dancers, who were selected from the more than 140 who auditioned. Janet Parke, Director of the Ballet Memphis School and one of the choreographers for Nutcracker, traveled to Spokane recently to audition the local talent.To learn more about Ballet Memphis' Nutcracker or to purchase tickets (which start at just $5), click here.2009-11-29 12:09:49http://www.balletmemphis.org/news/news_detail.php?news_id=109Thanks to all of the friends, families and fans that saw this season's remarkable Wizard of Oz and Nutcracker and asked for more, we've opened up a special for our last family show of the season - Sleeping Beauty. An original new telling of the classic favorite in our new Midtown home at Playhouse on the Square, this performance will be stunningly vivid and up-close. The new Playhouse holds just 300 on a given performance night, so we wanted to make sure all of our friends got their seats early. Plus, we've given you a little "thank you" when you check out online (you'll see a reduced price in the drop down menu when you select your seats.) View the promo video here, and we look forward to sharing more new work with you in the Spring. 2009-12-28 14:23:21http://www.balletmemphis.org/news/news_detail.php?news_id=110Dorothy Gunther Pugh, founder and artistic director of Ballet Memphis, will give the closing keynote address at Dance/NYC's first Mid-Year Symposium. Pugh will deliver the talk --"Telling the Story of Dance: Defining the Value of Our Art Form"--with Russell Willis Taylor, president and CEO of Washington, D.C.-based National Arts Strategies. The presentation is based on a white paper Pugh and Taylor did for the Andrew W. Mellon Foundation, "Dancing Into The Future." "Dancing Into The Future" took more than two years to complete and is based on interviews with approximately 100 leaders, futurists, creative artists, entrepreneurs, and philanthropists, both local and national, in an exploration about various roles for a professional dance company in a mid-sized city as a key component in a community's and a nation's rapidly changing life.“We are thrilled to offer this convening opportunity to the New York dance community. The dance season in New York is long and challenging for many artists and administrators. This symposium offers an opportunity for them to meet with colleagues and to recharge and refocus on their needs in the middle of the season. We look forward to making this an annual event,” said Michelle Burkhart, director of Dance/NYC.Dance/NYC is the New York City branch of Dance/USA, the national service organization for professional dance. The Mid-Year Symposium, taking place Feb. 5-6, will feature opportunities for dancers, presenters, company directors, advocates and more to learn about creative and business trends, health and wellness issues, how technology will affect dance, and more. "I'm thrilled for the opportunity to present this work and to reinforce how and why dance is so vital as an art form...and necessary to the soul of our culture, perhaps now more than ever," said Pugh.About Ballet Memphis (www.balletmemphis.org) In its 23rd season, Ballet Memphis serves as a creative resource to the nation as a maker and interpreter of the South’s cultural legacy through its innovative neoclassical and contemporary repertoire, as well as production and training of the highest caliber. Founded by Dorothy Gunther Pugh in 1986, Ballet Memphis employs 16 professional dancers with a $3.3 million operating budget and has performed around the world. The combined programs of Ballet Memphis–dance company, ballet school, educational enrichment and Pilates Centre–serve 75,000 people each year.About National Arts Strategies (www.artstrategies.org) National Arts Strategies (NAS) provides premier leadership development programs for the arts and culture sector. Founded over 25 years ago by the Ford, Rockefeller and Mellon Foundations, NAS began its work in leadership education nine years ago. For the past seven years, NAS has focused its programs exclusively on leadership education and has worked with more than 3000 executives and board members in the arts, culture and preservation through national and regional programs. NAS programs feature faculty from premier graduate and business programs including Stanford Graduate School of Business, Harvard Business School, and the Ross School of Business at the University of Michigan. About Dance/NYC (www.dancenyc.org) Dance/NYC is the New York City Branch of Dance/USA, the national service organization for professional dance. Solely dedicated to the needs of NYC dance, Dance/NYC focuses on raising awareness of the extraordinary legacy and ongoing creativity of dance in New York City; on issues of space and real estate; on advocacy and data gathering; and as a provider of professional development activities designed for all segments of the dance community in New York City.2010-01-13 9:23:50http://www.balletmemphis.org/news/news_detail.php?news_id=111Greetings Performance Clubbers!Last Friday, our group took in a nite of Orpheus at Opera Memphis. Judging by the responses, I'd say the evening went spectacularly. We all left with a deeper appreciation for the efforts of all the artists involved, especially countertenor Nicholas Tamagna.What a treat to have artistic director Michael Ching join us after conducting the performance! He was extremely candid and generous with his time. It was surprising to hear him say that he'd never attended an "arts salon" in Memphis, and that our group is the kind of thing we need in this city. Hooray!On Deck:Ballet MemphisAbunDANCE: Joyful NoiseSunday, February 28 at Playhouse on the SquareMeet at 1 p.m. (Show starts at 2)Don't let the word "ballet" fool you. The company does energetic, contemporary dance, and the theme is "Celebration." The show features a great older work by Trey McIntyre called Second Before the Ground which I've seen many times. Lots of leaping! The main event is a world premiere by Jane Comfort, who is collaborating with Grammy-nominated Memphis sax player Kirk Whalum. I chose the Sunday matinee because 1) the tickets are a little cheaper 2) we will have time afterward to get a backstage tour of the new Playhouse and 3) the dancers will likely want to hang out with us. The ticket prices for this event are really rangy ($10, $20, $35, $50 and $70) and the Performance Club discount is something like 20% off. I'd advise getting a cheap seat early on. There isn't a bad view in the house, as far as I can tell. The mid-priced seats are even better.Call 737-7322 for tix and ask for the Performance Club rate.2010-01-27 13:36:49http://www.balletmemphis.org/news/news_detail.php?news_id=112The Pilates Centre of Ballet Memphis is a STOTT PILATES® licensed training center. Courses are taught by Tamara Hoffmann, certified instructor for STOTT PILATES and Ballet Memphis ballet mistress.Prerequisites for the various certification classes include a working knowledge of functional anatomy, 30 hours of STOTT PILATES classes and three-plus years teaching movement or fitness. View the upcoming classes here. Applications are available by calling the Pilates Centre at 901.753.4177. Applications must be accompanied by two letters of reference and a nonrefundable deposit. Space is limited and applications are processed on a first-come, first-served basis. 2010-02-01 11:49:20http://www.balletmemphis.org/news/news_detail.php?news_id=113In 2007, The Andrew W. Mellon Foundation awarded Ballet Memphis a grant to embark on a period of discovery. Led by Dorothy Gunther Pugh, the founder and CEO of Ballet Memphis, the Company is already in a period of reinvention, building bridges to new communities and planning a variety of sustainable scenarios for the future business model.This paper outlines the learning from the first phase of this reinvention, and is the result of 60 interviews conducted with thinking partners who agreed to address four key questions: 1. What is the relevance of dance to current civic imperatives? 2. What might it mean to be a successful community based dance company in the 21st Century? 3. How should the presentation of dance be balanced with other mission achieving programs? 4. What new directions might Ballet Memphis take that would strengthen the Company and offer useful insights for the field of dance? The full white paper is attached for your reference.DancingIntoTheFutureWhitePaper.pdf2010-02-10 12:10:49http://www.balletmemphis.org/news/news_detail.php?news_id=115Company members Travis Bradley, Leigh Lijoi and Julie Niekrasz will be taking photos, signing autographs and giving a sneak peek at the upcoming Sleeping Beauty at this weekend's Le Bonheur fundraiser - the perfect event for all the little princes and princesses in your life.Online registration is still open by visiting https://secure.lebonheur.org/generositea/register2010-02-15 11:57:41http://www.balletmemphis.org/news/news_detail.php?news_id=114In mid-January, the chairman of the National Endowment for the Arts dropped by the new Playhouse on the Square theater during his multi-city "Art Works" tour to talk up the economic impact of the arts.Rocco Landesman's visit came five months after a few choice words got him into hot water with some arts groups in the Midwest. Especially Peoria, Ill."I don't know if there's a theater in Peoria," he told the New York Times in August. "But I would bet that it's not as good as Steppenwolf or the Goodman (both in Chicago)."The Broadway producer appointed by President Barack Obama to oversee the disbursal of federal arts funding was implying that taxpayer dollars should favor cities with the best art, not just because a small town needs funding for its community theater."I think he learned very quickly to regret that remark," said Dorothy Gunther Pugh, artistic director of Ballet Memphis. "He needed to see what the world is like in what I call the 'flyover zone.' I wonder if the bigger impact of his visit was from us to him, rather than him to us."Memphis is not a city that shortchanges the value of its arts, neither in terms of quality nor economic impact. The Cannon Center for the Performing Arts, home of the Memphis Symphony Orchestra, and the new Playhouse on the Square (designed by the Chicago architect of the Steppenwolf) were built to world-class standards of acoustics and flexibility.As to the money, one study by Americans for the Arts put the economic impact of arts in Memphis at more than $101 million annually.Despite the amount of revenue generated, our arts community is primarily an investment by private citizens, companies and foundations. It takes millions in donated funds every year to maintain large nonprofit groups such as Ballet Memphis or Opera Memphis.While state and federal funds help the bottom line for many arts groups, it's not likely that Landesman's visit will drastically increase the funding that comes here. Nor would projects like the new Playhouse, built without any city, county, state or federal money, be able to grow and prosper were it not for the private sector, arts officials said.The fact that arts giving in Memphis has been fairly consistent during the recession speaks volumes to Pugh, whose ballet company has even seen ticket sales increase at a time the NEA reports a 26 percent decline in ballet attendance nationally."Part of it is we have to be really scrappy to keep our heads above water," Pugh said. "The challenge for the big supporters in this city is that they're not just interested in the arts. They are interested in health and education and crime. A small group of people have a lot of work to do."The Hyde Family Foundations are among the most generous to the arts in the city. During the recession, their trustees didn't cut back on the amount of its philanthropy. Last year, they gave $2.3 million in arts and cultural funding, an increase over the previous year. However, in tough economic times, the foundations do want to stretch their investment. What the foundations and Landesman are looking for are "proof points" that the arts make a social as well as inspirational impact."We see the arts as part of our focus on city-building," said Teresa Sloyan, the foundation's executive director. "We're looking for a return on the investment."The foundation, which hosted the chairman's visit, hopes Landesman returned to Washington convinced that the arts here play a crucial role in urban revitalization, as they do in other cities and towns, from Peoria to Miami.Sloyan and Barbara Hyde escorted Landesman to the Stax Museum in South Memphis, which is drawing needed resources to improving the surrounding neighborhood.He visited the South Main Arts District, where, years ago, the creation of the National Civil Rights Museum and the proliferation of art galleries revitalized the landscape of a once-vacant stretch of Downtown.At Playhouse, he also learned how local arts groups are collaborating not just artistically, but financially. The Hyde Foundations are among Ballet Memphis' biggest supporters. When Playhouse was raising money for its new theater, the foundations contributed $750,000 for the theater's capital campaign and $500,000 so that the ballet could have a residency there.Susan Schadt, president of the arts funding organization ArtsMemphis, said that when it comes to the arts having a direct impact on the community, Memphis is on the cutting edge."I have to say, after (Landesman's) visit I've never felt so much energy around what could happen with the arts next," Schadt said. "I think the economy has caused us to think more provocatively. It's forced us to collaborate. It's forced us to make a bigger impact. Donors like to see that, and they've responded."Of the $2.1 million raised by ArtsMemphis in its 2009 annual campaign, 32 percent came from corporations, 26 percent from individuals and 26 percent from the Tennessee Arts Commission, with the remainder coming from other sources, including interest on investments.Some business leaders now want the arts to — literally — become part of discussions on economic development.Last week, at a breakfast meeting of the Greater Memphis Chamber of commerce, young men and women in business suits rose from their tables and began dancing to "I'll Take You There" by Stax recording artists the Staple Singers.They were actually Ballet Memphis dancers in disguise, but for Linda Cornish, the chamber's vice president of member development, it sent a message to business leaders."It really allowed us for a moment to open our minds and think differently," Cornish said. "It changes the way you hear a message. It inspires you."Four Fortune 500 companies have headquarters in Memphis , and the arts play a vital role in attracting business here, Cornish said."When International Paper came to this city, the executive director wanted to know if we had a symphony. "Obviously, Memphis has a geographic asset with its river, rail, runway and roads. But the most valuable asset for any company is its people. The arts are a quality-of-life issue, and quality of life is what attracts and retains talent."2010-02-15 9:00:36http://www.balletmemphis.org/news/news_detail.php?news_id=116 MEMPHIS (DATE, 2010) ––– Ballet Memphis will make its debut at the John F. Kennedy Center for the Performing Arts as part of Ballet Across America, an exploration of the breadth and depth of the art formthat showcases the best companies from across the country. Ballet Memphis will perform Trey McIntyre’s In Dreams set to the music of Roy Orbison. The company will perform as part of Ballet Across America’s Second Program, June 17 & 19, with three performances: • June 17 at 7:30 p.m. • June 19 at 1:30 p.m. and 7:30 p.m. All performances will be in the Kennedy Center Opera House and the Kennedy Center Orchestra will accompany all performances. Other companies in the showcase include Aspen Santa Fe Ballet, Ballet Arizona, Houston Ballet, The Joffrey Ballet, North Carolina Dance Theatre, Pacific Northwest Ballet, The Suzanne Farrell Ballet and Tulsa Ballet. The Kennedy Center presented the first Ballet Across America in 2008 to eager and appreciative audiences. This second presentation will give Kennedy Center audiences the opportunity to see three programs of mixed repertory. “We’re honored to bring Ballet Memphis to the Kennedy Center stage, and to perform a piece created for us and rooted in the Sun Studio music of Roy Orbison,” said Dorothy Gunther Pugh, founder and artistic director. Trey McIntyre created In Dreams for Ballet Memphis when he was choreographer-in-residence. Ballet Memphis premiered In Dreams in February 2007 at the Orpheum Theatre. Costumes are by Bruce Bui. Tickets go on sale to the public on April 7, 2010. Tickets are $29-$79 and can be purchased at the Kennedy Center box office or by calling Instant Change at + 202 467 4600, toll-free at + 800 444 1324, or by visiting the Kennedy Center website at www.kennedy-center.org Ballet Across America is made possible through the generosity of the Charles E. Smith Family Foundation. Additional support is provided by Elizabeth and Michael Kojaian. The Kennedy Center Ballet Season is sponsored by Altria Group, Inc. In its 23rd season, Ballet Memphis serves as a creative resource to the nation as a maker and interpreter of the South’s cultural legacy through its innovative neoclassical and contemporary repertoire, as well as production and training of the highest caliber. Founded by Dorothy Gunther Pugh in 1986, Ballet Memphis has 16 professional dancers with a $3.3 million operating budget and has performed around the world. The combined programs of Ballet Memphis–dance company, ballet school, educational enrichment and Pilates Centre–serve 75,000 people each year. 2010-03-04 6:10:38http://www.balletmemphis.org/news/news_detail.php?news_id=117Female Artistic Directors and Moderators Participating in "The Glass Slipper Ceiling." Top row pictured left to right: Stoner Winslett, Celia Fushille, Victoria Morgan, Andrea Snyder. Bottom row: Dorothy Gunther Pugh, Suzanne Farrell and Anna Kisselgoff. Richmond Ballet and Richmond CenterStage Foundation are pleased to announce that they will co-sponsor a seminar entitled “The Glass Slipper Ceiling” as part of the statewide arts event, MINDS WIDE OPEN: Virginia Celebrates Women in the Arts. The seminar will be held April 28, 2010, at Richmond CenterStage and will focus on the rarity of female artistic directors at major ballet companies and how the traditionally male-dominated field may be changing.Joining Richmond Ballet Artistic Director Stoner Winslett for the event will be Suzanne Farrell (The Suzanne Farrell Ballet of Washington, DC), Celia Fushille (Smuin Ballet of San Francisco), Victoria Morgan (Cincinnati Ballet), and Dorothy Gunther Pugh (Ballet Memphis). Former New York Times Chief Dance Critic Anna Kisselgoff will moderate the panel discussion, and Dance/USA Executive Director Andrea Snyder will make the official introductions at the event. Members of the national dance community are expected to attend as well.The idea for the seminar was inspired by a 2007 New York Times article by Claudia La Rocco entitled, “Often on Point but Rarely in Charge.” In the article, Ms. Winslett was named as one of only four women in the country that held the sole artistic leadership position of a ballet company with a budget of at least two million dollars (according to a study by Dance/USA, the national service organization for dance).Suzanne Farrell is best known as the ballerina who was New York City Ballet founder and choreographer George Balanchine’s long-time muse. The company operates under the aegis of The Kennedy Center in Washington, DC, and employs both permanent artists and guest dancers. The company has recently formed partnerships with Ballet Austin and Cincinnati Ballet, presenting joint performances with both companies.Formerly with San Francisco Ballet, Celia Fushille was invited by Michael Smuin to join his company in 1993. She also served as ballet mistress and was named associate director in 1998. Ms. Fushille was named to the director’s position following Smuin’s death in 2007.Victoria Morgan has served as Artistic Director of Cincinnati Ballet since 1997. A former principal dancer with San Francisco Ballet and Ballet West, Ms. Morgan has recently taken on the job of CEO in addition to her artistic responsibilities.Ballet Memphis was founded by Dorothy Gunther Pugh in 1986. Her ballet training includes studying with the Royal Academy of Dancing in London and David Howard in New York.Stoner Winslett was named artistic director of Richmond Ballet in 1980 and led the organization’s transition from civic to professional ballet company in 1984. The company, which recently celebrated its 25th Anniversary, will perform at the Chicago Dancing Festival this summer and will make its third appearance at The Joyce Theater in New York in April 2010.Anna Kisselgoff was named chief dance critic of the New York Times in 1977 and continued in that position until the end of 2005. Ms. Kisselgoff left her full-time position at the Times in 2006, but remains a contributor to the newspaper. She also writes for the Voice of Dance website.Andrea Snyder has been the executive director at Dance/USA since 2000, and has held administrative positions with Laura Dean Dancers, the Cunningham Dance Foundation, The Dance Notation Bureau and the Tisch School of the Arts Dance Department, among others. She has also served as assistant director of the National Endowment for the Arts Dance Program and the Pew Charitable Trust’s grant program, the National Initiative to Preserve America’s Dance (NIPAD).“CenterStage Foundation is excited to support such an important dialogue among arts industry professionals, and I hope that by illustrating the unique experience of these women, we open new lines of discussion and thought,” said Janet Krogman, director of education for CenterStage Foundation. “The Foundation strives to be a catalyst for the creative arts and expose audiences to new opportunities to learn about the performing arts industry, as well as be entertained.”The seminar is free and open to the public; however, tickets are needed for entry. For further information on securing tickets for “The Glass Slipper Ceiling,” please contact the Richmond Ballet Box Office at 804.344.0906 ext. 224. For more information about other MINDS WIDE OPEN events please visit www.vamindswideopen.org. For more information regarding Richmond CenterStage and CenterStage Foundation please visit www.richmondcenterstage.com.For more information visit www.richmondballet.org.2010-03-16 18:30:22http://www.balletmemphis.org/news/news_detail.php?news_id=118Tickets are still available for both shows but are going fast. Prices are just $25 or $40 each and will mark the beginning of a new configuration for shows in our studios, where each seat has a prime view close to the action.Three choreographers will be bringing their own interpretation of the connection between body and soul this weekend: Julia Adam from San Francisco, who has brought us original work for the Memphis series and the first AbunDANCE; former Ballet Memphis dancer and New York native Nicole Corea who is incorporating the moves of the award-winning White Station High School Steppers into her new piece; and choreographic associate Steven McMahon whose work this season has included Wizard of Oz for The Orpheum stage and our season kick-off piece, Being.For video clips of these new pieces in the making, visit our Facebook page. At 6:30pm Saturday night, prior to the performance, there will be cocktails and chat time with the choreographers in Studio C. Light hors d'eouvres from Andrew Michael Italian Kitchen will be served. 2010-03-22 8:19:19http://www.balletmemphis.org/news/news_detail.php?news_id=119 MEMPHIS (April 14, 2010) ––– Ballet Memphis will debut its new interpretation of the classic storybook ballet, Sleeping Beauty, on April 24 at Playhouse on the Square. The show runs through May 2 for six public performances. Famed Russian composer Peter Ilyich Tchaikovsky finished his score to Sleeping Beauty in 1889. Considered by many to be the finest of Tchaikovsky’s three ballet scores, Sleeping Beauty was first choreographed by Maurice Petipa – the ballet master of the Russian Imperial Ballet – and has been interpreted by many others including Sergei Diaghliev. Based on Charles Perrault’s classic fairy tale, the ballet Sleeping Beauty follows the story of the beloved Princess Aurora, who, as an infant, is cursed by the evil fairy Carabosse and doomed to die on her 16th birthday after pricking her finger on a spindle. But the good Enchanted Fairy, who had yet to bestow her gift on the young princess, says that instead of dying the princess will instead sleep for 100 years until awakened by love’s first kiss. In Bradley’s version, Princess Aurora is known as Briar Rose and instead of a prince, it is a young gardener who grows up knowing Briar Rose who bestows the saving kiss. “In his version, Travis wanted the prince to be a more ordinary man,” said Dorothy Gunther Pugh, founder and artistic director. “His retelling reminds that the true ‘princes’ in life are not defined simply by wealth, power, birth or status.”Mallory Alexander International Logistics in association with business partner 1 800 FLOWERS have generous donated nearly 2,000 roses to be used in this production. Show dates and times: • Saturday, April 24 at 7:30 p.m. • Sunday, April 25 at 2 p.m. • Thursday, April 29 at 7:30 p.m. • Saturday, May 1 at 2 p.m. and 7:30 p.m. • Sunday, May 2 at 2 p.m. Tickets are $10, $20, $35, $50 and $70 and may be purchased by calling Ballet Memphis at 901-737-7322 or by clicking here. 2010-04-14 11:42:44http://www.balletmemphis.org/news/news_detail.php?news_id=120We are currently seeking a Master Electrician to join the production staff for a full-time, year-round position.Responsibilities include: attend weekly production meetings, participation in weekly planning sessions with Production Coordinator, working with Production Coordinator to provide creative ideas and solutions to artistic requests, arranging over hire labor for studio and warehouse maintenance, serve as master electrician and assistant lighting designer for all main stage shows, lighting designer for studio shows and special events, creating all necessary paperwork for archive when designing a show, preparation of hang tags and lighting information for union and non union lighting crews, corresponding with lighting designer regarding paperwork, materials, and timelines, ordering supplies for lighting prep including color, gobos, instruments, and power sources. The position also requires the individual to supervise electrics crew for performances in the studio and at Playhouse On the Square. Position also includes domestic touring and performance in non-traditional venues.Daily work includes maintaining: lighting equipment, studio, studio AV equipment, scenery and lighting inventories at offsite warehouse, lighting and sound archive for all ballets.We are seeking an honest, discreet, patient, and flexible individual with a sense of humor, and a commitment to bringing the artistic vision of Ballet Memphis to the community. The Master Electrician must also be calm and able to perform in high pressure situations, and have the ability to prioritize tasks and requests from artistic, school, and other production staff. Must be capable of lifting 65lbs regularly, possess driver’s license in good standing, be comfortable driving 22-24ft box truck, possess knowledge of lighting consoles and dimming systems, etc.EXPERIENCEBA in lighting and/or technical directions MFA preferredSalary DOE, includes benefits. EOESend resume and cover letter to Lindsay Cook, Production Manager. lcook@balletmemphis.org No phone calls, please.2010-05-20 12:11:56http://www.balletmemphis.org/news/news_detail.php?news_id=121Seven members of the Company and artistic staff are choreographing new short works, including first time choreographing for Interiorworks, Janet Parke, and a first-ever piece from dancer Kendall Britt. Other choreographers include Steven McMahon, Jane Rehm, Julie Niekrasz, Travis Bradley and Karl Condon.Performances are at 8pm each evening. Admission by donation at the door. Light snacks provided by Tim Barker at the Beauty Shop and a silent auction will also be part of the evening.This is a fun, casual and intimate look at work by and for the dancers and a chance to help them raise money for the Artist Resource Fund. 2010-05-25 8:54:08http://www.balletmemphis.org/news/news_detail.php?news_id=122For more information, please call Ballet Memphis at 901-737-7322.Creative Dance Camps for Ballet 1-4 and Younger Beginners:June 28-July 2, 9am-12pm, 6-8 year olds, $135July 12-16, 9am-12pm, 9-11 year olds, $135Adult Ballet Summer Session, June 7-July 29:Beginning - Tues/Thurs, 6:30-8pmBegin/Inter - Wed, 10-11:30amInter/Adv - Mon/Wed, 6:30-8pm$200/once a week; $320/twice a week; $25 single classSummer Intensive For Upper Level Students, June 7-25:Ballet 6 - ballet, Mon-Thurs, 4pm-5:30pm, $100/week, $280/full sessionBallet 6 - pointe, Mon-Thurs, 5:30-6:15pm, $25/classBallet 7 - ballet, Mon-Fri, 10a-11:30a, $155/week, $390/full sessionBallet 7 - pointe/boys, Mon-Fri, 11:45a-12:30p, $45/full dayBallet 7 - modern, jazz, pilates, choreography, Mon-Fri, 1p-2p or 2:15-3:15p, $25/classBallet 8 - ballet, Mon-Fri, 10a-11:30a, $155/week, $390/full sessionBallet 8 - pointe/boys, Mon-Fri, 11:45a-12:30p, $45/full dayBallet 8 - modern, jazz, pilates, choreography, Mon-Fri, 1p-2p or 2:15-3:15p, $25/class2010-05-25 9:06:54http://www.balletmemphis.org/news/news_detail.php?news_id=123 • The Library of Congress Congressional Record 111th Congress (2009-2010) • CONGRATULATING BALLET MEMPHIS ON THEIR PERFORMANCE AT THE KENNEDY CENTER -- HON. STEVE COHEN (Extensions of Remarks - June 17, 2010) [Page: E1148] --- HON. STEVE COHEN OF TENNESSEE IN THE HOUSE OF REPRESENTATIVES Thursday, June 17, 2010 • Mr. COHEN. Madam Speaker, I rise today to congratulate Ballet Memphis for their invitation to perform as part of ``Ballet Across America II'' at the John F. Kennedy Center for the Performing Arts in Washington, D.C. on June 17 and 19, 2010. This will be Ballet Memphis' debut performance at the Kennedy Center and it will be the first Tennessee dance company to perform on the main stage. Ballet Memphis joins eight notable dance companies from around our nation to take part in the second installment of this week-long production. • Dorothy Gunther Pugh founded Ballet Memphis in 1986 as Memphis Concert Ballet and currently serves as Artistic Director. Ballet Memphis began as a company with two professional dancers and an operating budget of $75,000. Now in its 23rd season, it employs 16 dancers, trains 700 students, tours local schools and has an operating budget of $3.3 million. The company performs at various venues in Memphis including the Orpheum Theatre, the newly renovated Playhouse on the Square and their own award-winning studio in East Memphis. • Ballet Memphis has had the distinct honor of performing at various festivals around the world. They have performed as part of the Inside/Out Series at Jacob's Pillow Dance Festival in Becket, Massachusetts, Spring to Dance in St. Louis and the Joyce Theater in New York. Ballet Memphis has performed in productions in Paris and Quebec as well. Recognized by the Ford Foundation as a ``national treasure,'' the Andrew W. Mellon Foundation awarded Ballet Memphis a grant to explore opportunities for redefining midsize ballet companies in the nation. Ballet Memphis' performance this week at The Kennedy Center will bring nationwide attention to dance companies of similar size and talent. • Ballet Memphis will take to the Kennedy Center main stage performing their 2007 original piece ``In Dreams'' choreographed by Trey McIntyre and set to music recorded at Memphis' Sun Studio by Roy Orbison. Mrs. Pugh's choreographers reflect the musical and literary history of Memphis and merge both rock-and-roll and soul music to bring to the forefront the importance of all humanity living together. Mrs. Pugh stated ``this is a really good piece for us to perform because it sets us apart in terms of the different ways we create work to reflect the community.'' • Through their commitment to hard work and outstanding performances, Ballet Memphis has built a distinguished name of which they can be justly proud. Madam Speaker, I ask my colleagues to join me today in congratulating Ballet Memphis for their many accomplishments and for being invited to perform in ``Ballet Across America II.'' END
 • • {title: 'THOMAS - Congressional Record - 111th Congress', link: 'http://thomas.loc.gov/cgi-bin/query/z?r111:E17JN0-0080:' } 2010-06-22 9:28:25http://www.balletmemphis.org/news/news_detail.php?news_id=124Get your Pilates certification with the best! The Pilates Centre of Ballet Memphis is the only certified STOTT PILATES® centre in the Mid-South. This certification course is 40 hours and you may reserve your spot by August 1 by calling 901-753-4177. Cost is $950.Classes run August 13-15, 20-22 and 28-29. Friday classes are 3p-8p, Saturday classes are 12p-5p and Sunday classes are 9a-2p.Visit the Pilates section of www.balletmemphis.org to learn more.2010-06-23 10:54:19http://www.balletmemphis.org/news/news_detail.php?news_id=125Nationally acclaimed Ballet Memphis, under the direction of Dorothy Gunther Pugh, is pleased to announce its 24th season, opening in September 2010. Known for its innovative and original repertory as well as its own interpretations of the classics, Ballet Memphis offers seven unique events this coming season.FUSE September 11, 2010, Ballet Memphis StudiosIn its second year, FUSE will get out of the studio and take it the streets. Launching with a “jam session” type of program, featuring artists of all disciplines, the resulting collaborative works may be performed throughout the season at a variety of venues. It’s the mission of FUSE to meld the visions and works of artists of all disciplines with dance, showing how all are complementary and connected.Connections: Food October 9, 2010, BRIDGESNow in its sixth year, Connections: Food is known for its unique pairings of food and dance. Four courses from four renowned regional chefs are matched with four original dance works by former company member Garrett Ammon, and current members Travis Bradley, Julie Niekrasz and Steven McMahon. This year, Connections: Food celebrates what’s local and homegrown. A Midsummer Night’s Dream October 30-November 7, 2010, Playhouse on the SquareBallet Memphis is thrilled to present a restaged version of renowned choreographer Mark Godden’s A Midsummer Night’s Dream, originally commissioned for its 21st season. The ballet brings to life William Shakespeare’s classic comedy about romantic adventures and misadventures, quarrels and reunions and a magical night where love is, truly, blind. The show opens with a reprise of “Fingers” by Julia Adam, commissioned for last season’s Connections: Body & Soul.Nutcracker December 10-12, 2010, Orpheum TheatreMake it a memorable holiday season with Ballet Memphis’ own retelling of Nutcracker, one of Memphis’ beloved traditions. Splendid costumes, incredible scenery and a magical holiday tale will transport all to the Kingdom of Sweets.AbunDANCE: Where the Girls Are February 19 -27, 2010, Playhouse on the SquareIn the fourth installment of the collaborative AbunDANCE series, Ballet Memphis will focus on four works, choreographed by Julia Adam, Jane Comfort, Damien Patterson, and Emily Coates and Lacina Coulibaly.Romeo & Juliet April 9 – 17, 2010, Playhouse on the SquareBallet Memphis company member and choreographic associate Steven McMahon will bring his own spin on Shakespeare’s tale of star-crossed lovers to the Playhouse stage.Connections: Earth and Sky May 14, 2010, Memphis ZooSetting the stage for our 25th anniversary, Ballet Memphis will end this season under the stars, outdoors at the Memphis Zoo.2010-07-15 10:42:55http://www.balletmemphis.org/news/news_detail.php?news_id=126 MEMPHIS (July 28, 2010) – ––Dorothy Gunther Pugh, founder and artistic director of Ballet Memphis, announced that acclaimed choreographer and frequent Ballet Memphis collaborator JULIA ADAM will be joining the company as Artistic Associate. “I’m thrilled that Julia will be joining us as Artistic Associate,” said Pugh. “Her artistic voice and vision, as well has her rapport with the company, will help propel forward and articulate the current artistic vision for the company.” Adam, based in San Francisco, will work closely with Pugh, as well as the company’s other artistic staff, to assist the company on perfecting its repertory, rehearsing new works, teaching company class, and sharing her knowledge and experience with the Junior Company and upper level Ballet Memphis School students. “It has been a tremendous pleasure to work with Julia over the years,” says Pugh,“and I am very pleased to deepen that relationship this season with her appointment as Artistic Associate.Her international reputation and experience as a dancer and choreographer are of enormous importance to us,but even more vital is that her relationship with our staff and dancers is based on all the important things we share:a commitment to the most excellent art we can provide, establishing a working atmosphere of joy and curiosity that brings out the best in our professional dancers,and a conviction that the innovative course we have set nationally must be built upon with care and intelligence as we move forward to achieve even more for our company,our community,and our art form. ” Adam first worked with Ballet Memphis during the 2003-04 season on a restaging of her Crossings, originally created for The Joffrey Ballet. Adam’s first commissioned pieces for Ballet Memphis were two literary adaptations, Awakening and Curtain of Green. Both of these pieces were later performed by Ballet Memphis at the Joyce Theatre in New York. She also created the work Seven Threads, based on the seven threads of the Jewish prayer shawl, during the 2007-08 season for the first AbunDANCE event. She created Fingers for the 2009-10 season’s Connections: Body & Soul. This season, she will restage both Awakening and Fingers for the company to perform at Playhouse on the Square (Memphis), and will contribute a new work to the season finale, Connections: Earth and Sky. About Julia Adam. Adam began ballet training in her hometown of Ottawa, Ontario before moving on to the National Ballet School in Toronto. She danced with the National Ballet of Canada for five years before joining San Francisco Ballet. As a principal dancer, she performed a wide range of lead roles. She retired from dancing in 2002 to focus full-time on choreography. As a choreographer, she has created works for companies and festivals all over the world including San Francisco Ballet, Houston Ballet, Marin Ballet, Bay Area Dance Series, Alberta (Canada) Ballet, ABT Studio Company, Atlanta Ballet, Oregon Ballet Theatre, Lawrence Pech Dance Company, International Ballet Competition in South Korea, and the Danish Summer Festival in Copenhagen. She received the Isadora Duncan Award in 1996 for her ballet 13 Lullabies. About Ballet Memphis (www.balletmemphis.org) In its 24th season, Ballet Memphis serves as a creative resource to the nation as a maker and interpreter of the South’s cultural legacy through its innovative neoclassical and contemporary repertoire, as well as production and training of the highest caliber. Founded by Dorothy Gunther Pugh in 1986, Ballet Memphis employs 17 professional dancers with a $3.3 million operating budget and has performed around the world. The combined programs of Ballet Memphis–dance company, ballet school, educational enrichment and Pilates Centre–serve 75,000 people each year. 2010-07-29 9:27:35